Contest Author Interview – C. David Belt

Posted on October 27, 2024 by Tanya

(NOTE: TODAY IS THE LAST DAY OF MY CONTEST TO PROMOTE MY NEW BOOK-A NIGHT ON MOON HILL. If you somehow haven’t yet heard about the contest, go here to see the entry details, as well as the 50+ different prizes, and please think about entering. After all, there’s no limit on number of entries and there are many ways to enter. If you’ve already entered, remember that leaving a comment about this interview earns you one last entry!)

Aye, that lad sporting the kilt (unseen but imagined) and the Tam o’ Shanter, and no doubt well-armed, is none other than C. David Belt, software engineer, Mormon Tabernacle Choir singer, and author of the paranormal vampire series, “The Children of Lilith.” He has offered the first volume of his trilogy, entitled THE UNWILLING, as a prize in my contest.

Me: First of all, as someone who grew up overseas myself, I’d be interested in knowing more about your childhood in the Far East and what took your family there.

David: My family moved to the Philippine Islands when I was three. My father was a high school history teacher in the DOD school system on Clark Air Force Base. We lived off-base for a year or so and then moved onto the base. I spent one summer with a Filipino family while my parents were travelling. While I have vivid memories of that summer (riding in jeepnies, butchering chickens), one of the things that impressed me most was the fact that the family had saved for many, many years to be able to travel to New Zealand to be sealed in the temple.

My parents and I travelled all over the Philippines—I met head-hunters!—and visited Thailand and Hong Kong. My most vivid memories of those travels are the elephants, the floating market in Bangkok, feeding bananas to a monkey until he couldn’t eat anymore, and standing on the border of Red China. The military jets flying over Clark and the naval warships at Subic Bay impressed me greatly. Perhaps that’s why I grew up to fly bombers in the Air Force. We returned to the states when I was nine. We travelled on a cruise ship. With all that wonderful food that was available, I remember ordering a ham sandwich for lunch every single day!

(Ah, cruise ships were the best way to return to the States. But don’t get me started…)

Me: Did you write any stories as a child and, if so, can you recall the gist or the subject of your best one?

David: Yes, I’ve been writing stories most of my life. Many of my early ones revolved around superheroes, particularly the Batman. I was particularly proud (at the time) of a werewolf tale. As a teenager, my focus moved to science fiction, including a story that bore a remarkable resemblance to the movie, “Enemy Mine,” decades before that film ever came out. (Hmm…you were either prescient or robbed!)

Me: Okay, how did a guy who graduated with a bachelor’s in Computer Science, served as a B-52 pilot in the Air Force, and now sings with the Mormon Tabernacle Choir end up writing vampire novels?

David: I read Bram Stoker’s Dracula when I was 8 years old. I have read it seven times, almost as many times as I’ve read The Hobbit and The Lord of the Rings. Dracula remains one of my favorite books.

Most of my stories start out as an image in my head, a snapshot, if you will, like a screen-capture from a movie. The image will possess me (or at least haunt me) until I turn it into a story, till I fill in all the backstory. This one started as shot of a dark ordination, dozens of vampires surrounding a mortal man, turning him into a vampire against his will. In this snapshot I knew the vampires could not and would not convert anyone without his consent. I knew that vampirism (in the context of the image) had to be a choice. Eternal damnation cannot be forced on someone. You can be seduced into evil, but nobody can take away your salvation. I love a good vampire story, but the idea of forced damnation always bothered me. It took me ten years to get started, because I couldn’t work out how the hero could be forcibly changed if he did not choose it. I was also trying to write it as a main-stream (i.e., non-LDS) story, but it was too tied up in agency and the atonement for me to separate it in a way that made sense, in a way that was honest. When I finally gave in and made Carl LDS, everything snapped into place.

Me: Another LDS author I know, Michael Young, also sings with the Tabernacle Choir. Do you guys ever talk about writing, maybe swap manuscripts for editing?

David: Yes! All the time. We have a small MTC-Writers group on Facebook. (Okay, as a missionary mom, you confused me for a minute there . . . MTC . . . Mormon Tabernacle Choir, got it.) We get together and swap stories, manuscripts, etc. We proofread manuscripts, bounce ideas off one another. All our conversations revolve around writing. (And here I thought all they did was sing in their spare time. How many more MTC writers are there?)

Me: With your day job as a software engineer, when and where do you do most of your writing? Please describe your writing space (and provide a picture).

I jot down ideas or bits of dialogue on the back of Choir announcements during rehearsals (Can you imagine what the custodians must think if David ever leaves any of his notes behind accidentally?) I get some of my best ideas while sitting in the Choir loft between songs, gazing at the vaulted space of the Tabernacle or the Conference Center.

I DO have an office at home where I do a good portion of my writing (as well as some programming). There I am surrounded by my sword and armor collection (as well as toy spaceships).

(Check it out. He provided several pictures. Talk about a lot of armor! More about that in a minute.)

Me: It’s apparent you have quite the collection of medieval weapons and armor (Joyce DiPastena, eat your heart out), with an emphasis on Scottish swords. What do Scottish swords have that others don’t? And have you given any thought to writing in another genre . . . say, historical fiction?

David: I started collecting swords twelve years ago. Most of the pieces that I acquired happened to be Scottish, but I couldn’t have told you why I was attracted to those pieces, other than I have always been fascinated with history. As I became more and more involved in my own genealogy, however, I discovered that better than 80% of my ancestral lines are Scottish. I like to think that this was the connection, at least on a sub-conscious level.

Swords figure prominently in the vampire trilogy, and I drew inspiration from specific pieces that I own and/or wish I owned.

Me: I’ve heard of writers with dogs, and writers with cats (like me), but I’ve only met one other writer so far with a parrot (she’s in my writing group). Tell us about Mork, your Eclectus Parrot, and how he helps or inhibits your writing. (And I MUST have a picture of him, preferably jumping on your keyboard as he is wont to do.)

David: Mork is a sweetie, but he is very demanding. We got him as a mate for our female eclectus (who later died). He was three years old and had never been handled. Taming him was a challenge. (He was convinced I was trying to eat him.) I finally just had to let him bite me repeatedly until he was convinced that I was no threat. Now he is very gentle. He allows me to hold him upside-down in the crook of my arm, as if I were holding a baby, or dangling by his tail feathers.

He frequently hangs upside-down in his cage (like a bat). (Ah, a true muse.) He does talk, but rarely when anyone is in the room. When he can hear you in another room, he can be quite chatty (trying to get your attention). He will sometimes sit on my shoulder when I’m writing, but if I’m not paying enough attention to him, he’ll sidle down my arm, slowly climb onto my hand as I’m typing, look at me quizzically, and then jump onto the keyboard. I pick him up and set him back on my shoulder. He squawks his disapproval and then slowly makes his way back toward the keyboard. So he can be a bit of a distraction, but I love having him around. (Now I understand why you write so much at Choir rehearsals.)

By the way, we DO have two cats. They are terrified of Mork.

(And here are pictures of Mork doing precisely what David described. He’s a beauty, but I’ll never complain about my cat, Peach, again.)

Me: How would you describe your writing process, that is, when Mork isn’t getting in the way?

David: I am very much a discovery writer. I never create an outline. I create a document of notes, character sketches, locations, backstory, plot points that I want to cover (not all of which will make it into the manuscript), etc. For The Children of Lilith, I had to write down exactly how vampirism worked in my mythos, what the rules were, how they could be killed, etc. Then I stew over a starting point, an opening scene. Once I’ve got that in my head, I plunge in. I let the characters drive the story. Often, a character, such as Moira, will speak up in my head and say, “That’s nae what I would say, laddie,” or, “I would nae ever do that,” and the story takes a whole new direction that I wasn’t expecting. (That sounds familiar, though not in that accent.) I know the beginning and the desired ending of the story when I start. The rest just happens along the way.

Me: And what are you working on at present?

David: The vampire trilogy is done (with book 3 in the final stages of editing). I’m currently working on a standalone science fiction novel with LDS themes and a main character who is LDS. Time’s Plague borrows themes for Shakespeare’s “King Lear” and is set roughly a century or so in the future. It starts out on a penal colony on Callisto (one of the moons of Jupiter). The story centers on Edgar, an innocent man, who has been sentenced for life (there can be no parole and no escape from the Hades penal colony) for a murder he did not commit. He was framed by his ex-wife and his best friend. The prison has no warden and is ruled by the prisoners, all of whom are male. It is literally a hellish place populated by murderers and rapists, the worst of the worst. New prisoners and supplies are dropped from orbit and no ship ever lands on Callisto… that is, until a shuttle crash-lands. There is only one survivor—Edgar’s ex-wife, the one person in the universe he hates more than any other. No woman can survive on Callisto. Edgar has to figure out a way to get her off-world and protect her from the other inmates.

Sounds fascinating, doesn’t it? So he is delving into another genre, after all. (Of course, that one bookshelf in his office kind of gave this other passion away.) If you want to know more about David and his vampire trilogy, check out The Children of Lilith website.

One last note. I’ve enjoyed doing these interviews so much that I’ve decided to try to continue with a weekly “Wednesday Writer” conversation. I’m kicking it off with my son this Wednesday. Granted, he’s not published . . . yet. But he’s a writer in development and, besides, I thought you might be interested in his views on A NIGHT ON MOON HILL. After all, he inspired the story.

If any of you authors out there would like to be featured as a “Wednesday Writer” then please contact me at the email address I give on my Contact page here.

Originally posted 2012-09-24 06:00:25.

“Wednesday Writer” – Ronda Hinrichsen

Posted on May 8, 2024 by Tanya

Ronda Hinrichsen writes romantic suspense as Ronda Gibb Hinrichsen and THE HEROES OF THE HIGHEST ORDER Chapter Book series as R.K. Hinrichsen. Her next romantic suspense novel, BETRAYED, will be released in June. I was lucky enough to get this interview in with her before her eye surgery. (Don’t worry…she’s fine.)

ME: You’ve said you first knew you wanted to be a writer when you were in sixth grade and listening to your teacher read S.E. Hinton’s The Outsiders. But my question is, when did you first realize you could be a writer, and what had you written (or what had someone said) that convinced you of that? (That said, I would love to post a picture of you from sixth grade, as well as another when you were a teenager.)

RONDA: That’s a hard question to answer. While I remember fearing I might never succeed at having a book published, I think I always thought it was possible for me to be a writer, I just had to figure out how to do it. In fact, I still have those same fears now as I submit and/or self publish. Fear and self-doubt is always there, but because being an author is important to me, I keep pushing through those things. For me, it’s not trying that equals true regret.

(Very well said, and she’s right…the fear and self-doubt never goes away.)

(Ronda as a sixth grader)

(Ronda’s high school graduation picture)

ME: Are there any other writers in your lineage? If so, how did they inspire you? (And please include a picture, if possible.) If not, which writer(s) inspire you the most and why?

RONDA: I have an ancestor who crossed the plains as a child and later wrote for the church publications. In fact, I have written some of his stories for The Friend. His name is William Palmer. There are other writers too. My uncle wrote for a newspaper in Canada, and my Grandmother and aunts enjoyed writing poetry. (Ah, it runs in the blood, eh?)

ME: Having grown up in Rexburg, Idaho, what gave you the urge to travel? What have been some of your favorite or most interesting destinations, and why? (And I’d love a picture or two of you and your husband en route.)

RONDA: I did not travel much as a child, except to the occasional family reunion in Canada, but my husband loves to travel and has the desire to see every part of the world. I have the privilege of going along for the ride. So far, my favorite scenic places have been Austria and New Zealand. The place that deeply affected me, was visiting Auschwitz in Krakow, Poland. (That, I can well understand after having visited another concentration camp–Mauthausen–in Austria.)

(Ronda and Rolin in Australia)

(Ronda at Auschwitz)

(In Krakow, Poland)

ME: I know you began by writing short stories and magazine articles as you were raising your young family. Now that the short story form seems to be taking off again, have you given any thought to writing more of those?

RONDA: I haven’t thought of short stories too much, but I have self-published three children’s chapter books under the series name of HEROES OF THE HIGHEST ORDER and I will soon release a preternatural mystery novella under the pen name Kathleen Marks. It is the first of a series.

(Okay, am I the only one confused about the difference between paranormal and preternatural? Here’s an interesting posting that might shed a little light.)

ME: Tell us about your first two novels, MISSING and TRAPPED. How are they different, and how are they alike? And which was easier to write?

RONDA: MISSING and TRAPPED are similar in that they are both adventurous, romantic suspense novels. However, MISSING is a contemporary, realisitic novel with LDS characters, and TRAPPED is a contemporary, paranormal novel with a curse surrounding the “Kuhati,” the elixir of life.

I suppose TRAPPED was easier to write since it was my second novel and MISSING was my first—not only first published, but also the first I’d ever written. It was my novel writing learning ground vs, as you mentioned earlier, short story writing.

ME: You’ve also begun a middle grade series, HEROES OF THE HIGHEST ORDER, in which your young protagonists kind of follow in the footsteps of different heroes in their quest to destroy the enemy of “The Hidden Kingdom.” What criteria are you following when it comes to selecting those particular heroes?

RONDA: HEROES OF THE HIGHEST ORDER is a chapter book series similar to The Magic Tree House. The heroes I choose for that series are those who are compassionate to all people and are brave in the face of difficult circumstances.

The first tells the story of a young pioneer woman who found peace with the Indians.

The second speaks of Mother Teresa, and the third teaches of Tadeusz Pankiewicz who helped save the lives of many Jews during WWII.

(You can learn more about the books and the series here.)

ME: What are you working on now, and how would you describe your writing process?

RONDA: My writing process is a juggling act. I gather ideas for a new book in a notebook while I’m writing another and perhaps editing or doing other writing/publication chores with another.

I just finished final edits on BETRAYED, a historical romantic suspense novel that comes out with Covenant Communications in June 2014. I have another novel under submission, I am preparing my preternatural novella for publication, and I am editing a YA fantasy novel I intend to submit to the national market. I’m also starting to have a few ideas for future books.

(One cook in the kitchen with a lot of pots stewing.)

ME: How would you describe your writing space, and what five objects there differentiate it from that of any other writer? (You must include a picture or two.)

RONDA: My writing space is a desk with a laptop, a second screen, a bookshelf, a wall board with various notes and lists, and separate piles of info from different books.

(Okay, that takes the record for the shortest answer to this question ever!)

(I think this was the neatest part of her writing space. :D)

ME: What has been your experience with both traditional publishing and self-publishing, which do you prefer, and why?

RONDA: I believe there are strengths and challenges for each venue. Self-publishing gives me the power to bring whatever story I want to the world in whatever format I want. It also gives me the ability to earn money on a more “regular” basis, for I don’t have to wait for the six month intervals of a traditional publisher. (Hear, hear!)

Traditional publishing provides support, experienced editors and cover artists/marketers, and the ability to distribute to markets that are not always available to self-published books. Traditional publishing also seems to have a better ability to help me build my name and to speak/teach in various venues.

(So it really comes down to which you prefer–support or control.)

ME: Finally, how important is a critique group and what strengths does yours bring to your writing?

RONDA: My critique group is VITAL to me. Each person has strengths that help me create a more viable, well-developed product. Different from many groups, we do not print out our weekly writing—yes, we meet weekly. Instead, we read what we’ve written to the group. The others listen, and then we comment on what is or isn’t working or what needs a bit more strengthening. Our group focuses more on structure, rather than grammar, but some of us do have an ear for grammar, and we bring those things up.

(Excellent! With some exceptions, a writer is generally only as good as his/her critique group.)

Check out Ronda’s website for more information about her and many projects. Her suspense novels are available on Amazon and Barnes & Noble. You can check out her chapter books at B&N and Books-a-Million.

Get ready for a serious interview next Wednesday with Pauline Hansen, author of a compelling memoir or her marriage to a schizophrenic.

Originally posted 2014-03-05 06:00:16.

"My best read of the year goes to Tanya Parker Mills and A NIGHT ON MOON HILL. A tender, unsettling, stirring page-turner. You'll want to read this one." (Laurie L.C. Lewis, Author of the "Free Men & Dreamers" series)

"This was easily the best book I read all year. It is beautifully written and tells a moving story...It is heartbreaking, powerful, beautiful--extraordinary. I am moved and almost overwhelmed by it. Wow! Bravo...In addition to the characterizations being spot on, the prose is beautiful. This is a very powerful book by an extremely talented writer. I highly recommend it!" (Braden Bell, Author of "The Road Show" and "The Kindling")

"This story is so well written, and with characters that bring you into the story so deeply, you will have this novel read in no time. What will you find in this novel? A great combination of suspense, angst, romance and relationships that will truly make you think. You will also look at life and people a little differently. I love the respect and care that Tanya has given to the tender subjects found within the pages of this novel. For all of this, I’m giving this book 5 stars!" (Sheila Windley Staley, LDS Women's Book Review)

"A NIGHT ON MOON HILL is a carefully crafted and beautifully-written story that follows Daphne’s journey as she discovers that the routine of her life is made much better when she shares it with someone." (Heather B. Moore, Award-Winning Author and reviewer for LDS Readers)

"As you will find when you read A Night on Moon Hill, Tanya Parker Mills is also a poet. Don’t let that scare you away, though. There’s a great story line with a little romance, a bit of a mystery, and some marvelously interesting characters. It’s a book that will stay with you long after you’ve turned the last page. I highly recommend it." (Liz Adair, Award-Winning Author and President of LDStorymakers)