Tag Archives: LDStorymakers Writers Conference

“Wednesday Writer” – Sarah M. Eden

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Happy Halloween! While all of you are out either preparing for trick-or-treaters or getting your costumes finalized to go do it yourself, I am happily tucked away at the Rosario Marine Beach Lab for a wonderful 3-day Writer’s Retreat (the ANWA Northwest Writer’s Retreat). If you’re LDS, a woman, and you like to write, check out this retreat for next year.

In the meantime, it’s that day of the week again and I have another terrific writer to unpeel before your very eyes (not that I’m comparing her to an onion, mind you, but all writers have layers, I’ve found . . . Let’s consider her a sweet onion of the variety grown nearby in Walla Walla, Washington). :D

I first met Sarah M. Eden when we both took part in a self publishing panel discussion at the LDStorymakers Writers Conference back in 2009. As it turned out, she and I were Whitney finalists that year, along with another member of the panel–Joyce DiPastena. Since then, she’s gone on to be traditionally published, has an agent, and has become a must-have emcee at that very same writer’s conference. Oh, and by the way, she joined us up here near Deception Pass as our Writer in Residence for last year’s retreat!

Now let’s start pulling back the layers.

Me:  How old were you when you first realized the power of humor, and please describe the circumstances of that discovery? (And I’d love a picture of you at that age.)

Sarah:  I can’t remember a time when humor wasn’t a defining character trait of mine. It probably began in the womb–no, I don’t have a photo of that. (What? No ultrasound? Drat!)

My entire family is funny. Family dinners involved as much laughter as eating. The time an entire cooler of ice water spilled in the back of the minivan, the Noah’s Flood jokes went on for hours. Weeks. Okay, we actually still joke about it. My sister and I once spent an entire afternoon acting out a parody of the first two Twilight movies for our sister-in-law, complete with props and costumes, simply because it would be funny. (And you didn’t videotape it for YouTube? Have you thought about reprising it for a conference? Hint, hint.) My youngest brother was once attacked by a dog, leading to stitches and the services of a plastic surgeon. We responded in the usual way . . . a care package of doggy chew toys, kibble, and a greeting card that played “Who Let the Dogs Out.”

That’s just how we roll.

(Something tells me it’s genetic, too. Her daughter’s going to be just like her.)

Me:  Not counting “The Sun,” which you wrote at age 5 (and it sounds like it may have been one of those Kindergarten school assignments), what was the gist of the very first story you ever wrote (“The Mystery of the Broken Unicorn”), and do you still have it? Any plans to rewrite it?

Sarah:  Do I still have it? Do you doubt I would hold on to such a piece of literary mastery?! Of course I still have it. One might classify this magnificent story as a Middle Grade Fantasy. One might also classify it as horrible. One would be right on both counts. (Notice the voice change here? She’s definitely in her Regency voice.)

I begin the book by making note of the fact that the “pictures & words” are by me. That’s how you know you’re about to get quality. The story tells of a young girl whose mother has a glass unicorn on her dresser that the girl should “NEVER touch, no matter what.” So the girl, of course, touches it, and it puts a spell on her. That is the point where I wrote The End. No, really. That’s where I ended it. I didn’t know what to do next so I figured just calling it quits was the best option. (A very quick read…but a promising beginning.)

Isn’t she darling in her first dance costume?

Me:  Okay, why did you choose Social Science Research as a major when it’s apparent your true loves are literature and history? In other words, who convinced you to be practical?

Sarah:  I chose Social Science Research because it was fascinating. My emphasis was the impact of mass communication on societies, with focus on the role of emerging social media. My thesis, get this, hypothesized that emerging social media (this was in 2000) would be used to create virtual communities. *insert evil genius laugh here* Essentially, I predicted Facebook and Twitter. Someone owes me big bucks! (Well, when you put it that way…as Rosanne Rosanna Danna would say, “Never mind.”)

I still find research, be it historical, social, statistical, etc., endlessly enthralling. I love when pieces fall into place and a mystery begins to make sense. I get all giddy when I learn something new, especially something obscure. *insert evil genius laugh here*

Short answer: I’m an evil genius.

(And the Princess of Prescience!)

Me:  What was the basic plot of the short story for which you won 1st prize in the 2007 City of Glendale Short Story Competition? Any chance you’ll lengthen any of your short stories into novels?

Sarah:  Actually, I absolutely love that short story. I think it is one of the best things I’ve ever written. I have pondered many times expanding it into a full-length book, but the timing just hasn’t been right. Maybe some day. *sighs dramatically*

The story is about a 3rd Grader with a gambling addiction. No, it’s not an after-school-special type of moralizing book. It’s actually hilarious. And the main character is fantastic. (If I do say so myself.) (Hmmm…have we accidentally uncovered a layer from the author’s own past?)

Me:  After having seen both you and your husband “act” in “film,” I have to assume you both have experience in theater. Am I correct? If so, please provide details (and pictures).

Sarah:  We have both spent quite a lot of time on the stage. I began my “career” playing a dead plant in a church roadshow, followed by an unemployed elf in the 6th grade Christmas play.

The red hair is a giveaway.

Junior High School saw me placed in the oh-so-glamorous position of pretty much everybody’s understudy. By High School, I had moved up in the world, playing a 5-year-old boy (Tiny Tim, A Christmas Carol), a 7-year-old girl (Marta Von Trapp, The Sound of Music), and eventually graduating to a teenager in Hello, Dolly! and Fiddler on the Roof. I found myself typecast as Hermia in A Midsummer’s Night Dream (for those of you keeping track at home, she’s the character who spends the entire play as the butt of everyone’s short jokes).

My husband did a lot of acting in High School, as well. He was in Taming of the Shrew and Cheaper By the Dozen, among others. He was dreamy Tony in West Side Story and played Sherlock Holmes in a community theater production.

Dreamy Tony in another woman’s arms

He has the look of a lead and the skills to get the job done. I was always a sidekick. A short sidekick. Or a child. But I’m not bitter. (Much.)

(Yeah, but who’s getting all the attention now? Am I right? Good things come to those who wait, no matter their size. :D)

Me:  Do you really have, as you put it in an interview with Donna Hatch, “a contraption made up of very large books, packing tape and the back of the sofa in my living room which allows me to type while spending some quality time with my elliptical machine while burning calories to which I’d rather not become too permanently attached”? (You said then that you’d rather not provide a picture, but I DO require a picture of your true writing space…as well as a description of it in either Regency terminology or in the voice of one of your children…please.)

Sarah:  The contraption changed a little last year when we replaced our couch. Fortunately, when you MacGyver a write-while-exercising-stand, it tends to be adaptable. The current incarnation involves a packing box, a wooden cutting board and a book of Broadway ballads arranged for the piano. Here is the catalog entry I am preparing for when I sell it and make my millions:

Do you have Writer’s Butt? Is your backside expanding with every rewrite? Does drafting your newest book get in the way of burning those extra pounds?

Introducing the ‘Tend to Your Deadline and Your Waistline’ computer stand. Finally, a contraption that meets the lazy writer’s needs. Exercise while you type and look good doing it!

(So where’s the picture?)

What? You want a picture? Sorry. I don’t give out that kind of classified information–not until the patent is secured.

(Okay, what happened to the description in the voice of a Regency romance…or one of your children? Hmmm…I guess this is one writer’s lair that will remain secret in every sense…except…she let slip a clue on Facebook, so I think it’s only fair to share. Here’s a look at her plotting board.)

Aha! Part of her secret office.

(If you want the details behind the colorful board, you’ll have to check out her posting on her website here.)

Me:  You’ve also said that “writing requires a certain degree of mental instability.” How so? (And I mean this in all seriousness, as I’m most curious about the writer’s mind.)

Sarah:  Most people consider hearing voices in their head a reason to be concerned. Writers think of it as a running narrative for the scene they are writing.

A normal person would never think a fictional character of their own creation could argue with them, defy their orders, or make their own decisions. Writers embrace this without batting an eyelash.

Most people, if they wake up in the middle of the night with a random idea running through their mind, grumble a bit, roll over, and go back to sleep. Writers rush to write it down, unspeakable grateful to have finally worked through that sticky plot problem.

We pour our hearts and souls into a book we then willingly send out to the slaughter. We get rejected, criticized, ranked, Goodreaded (yes, that is now a verb) (In the same way as Amazoned?) and in many other ways alternately praised and excoriated, yet we keep going back for more rides on the pendulum of public opinion.

We are often insomniacs. We cry when we do horrible things to our characters even though we knew it was coming all along. We compare ourselves to Shakespeares and Miltons and then wonder why we never feel good enough. We can obsess over a single word for hours.

All of this and we love it anyway. This cannot be normal or entirely healthy. Mental Instability.

(Case closed.)

Me:  Which parent had the most influence on you as a writer, and how? (It would be nice to show a picture of the influential parent here.)

Sarah:  They both have influenced me. I couldn’t say one did more than the other. For the sake of answering the question, I’ll say that my mother is the one who first convinced me to seriously pursue writing.

Two influential parents. One cute couple!

I was sitting at her kitchen table bellyaching about how hard it was to find a sweet (think PG content) historical romance. I waxed long and irritated, likely using a great deal too much hyperbole. There may or may not have been references to the ridiculousness of so few sweet historicals on the shelf in light of all NASA’s accomplishments. My dear mother, rather than commiserate and accept my tendency toward dramatics, said, essentially, “So why don’t you write one yourself?”

So I did. And I gave her a spiral-bound copy of that first book for Mother’s Day the next year. The book? THE KISS OF A STRANGER.

Me:  Which is more fun–research or writing? And why?

Sarah:  It’s a toss-up. For me, the two are so intertwined I can’t entirely separate them. The historical context of my books is always a huge part of plot, character, etc. So the research determines what I write, and what I write directs my research. (Sort of like the chicken and the egg, eh?)

I set aside one day each week that is entirely for research . . . no writing (unless I’m on a deadline and don’t have a choice). Some of that is research for a specific project. Some of it is just me devouring history and learning new things. I have found so many ideas for new books, or ways to enrich stories I’ve already thought of, through a steady, consistent approach to research. (Thanks for the tip! I may just be revising my weekly schedule.)

Writing makes me a happy person. Truly. I get so excited when a storyline comes together, when the characters become real right before my very eyes. I put a lot of prep work into my books and there is something extremely satisfying in seeing weeks, sometimes months of planning turn into a story I can be proud of.

Also, I don’t like edits. I like having edited, because the book is always better. But I don’t like doing it. *bleh*

Me:  Finally, what are you working on now, and how far down is your supply of Cheetos?

Sarah:  Cheetos and I had to go our separate ways a couple years ago. Apparently, my stomach and Cheetos have a great animosity for each other. Hatred, pure and simple. I have not yet found an adequate replacement. In fact, I feel a little lonely now when I write. *wipes tear*

(By the way, am I the only one that’s noticed how attuned Sarah is to stage direction, sound effects, etc.? Something tells me she ought to give screenwriting a try.)

Right now I am working on the sequel to a romance novel my agent (Hi, Pam!) is currently shopping. It, along with Book 1, takes place in 1870 in Wyoming Territory amongst a group of Irish Immigrants sharing a valley with a group of settlers who absolutely despises the Irish. Against the backdrop of this percolating feud, our heroine finds her heart being pulled by two very different men, all while trying to sort out a lifetime of her own pain and regrets. In the words of my 9-year-old daughter, “This book is magically delicious.”

I am sure we’ll all agree once we finally get to read it. In the meantime, enjoy any of her others (SEEKING PERSEPHONE, COURTING MISS LANCASTER, FRIENDS AND FOES), including her latest: AN UNLIKELY MATCH.

And you can check out Sarah’s website here. I highly recommend her blog for reading that always entertains as well as informs.

Next week:  J. Lloyd Morgan

Originally posted 2012-10-31 06:00:04.

“Wednesday Writer” – Karen Hoover

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Karen Hoover is a fighter. Life keeps throwing things at her, whether it’s health issues or loss or family issues, and she doesn’t blink.

(Except perhaps when she went in for an emergency appendectomy back in May . . . she woke up three days later to discover the doctors had rearranged her insides to help her beat off cancer yet again. Even that wasn’t a real blink, however, because she was unconscious the whole time.)

Anyway, when a problem arises, she just deals with it, and no matter what, continues to write and create. Let’s find out what gave her that kind of character and determination.

photoME:  I’ll begin with a series of questions. First, what was the first book ever read to you and by whom?

KAREN:  I’m not sure which book came first–“Are You My Mother” by P.D. Eastman or “Green Eggs and Ham” by Dr. Seuss (Yes! Finally I get a Dr. Seuss aficionado.), but they were both a very memorable part of my childhood.

AreYouMyMother1My father read to me every night after work and though he thought Green Eggs and Ham was disgusting, he read it to me anyway. I had no idea how much he disliked the book until I was told as an adult. (Now that’s parental love and sacrifice.)

600full-green-eggs-and-ham-coverME:  Second, what was the first book you remember reading by yourself?

KAREN:  I got two books about the same time and, again, I’m not sure which came first, though I literally read them to pieces. They were Bread and Jam for Frances by Russell Hoban (Ah, yes, a classic!) and B-9 The Hungry Metal Eater by Ester Hauser Lawrence. (Intriguing pick.)

bread and jam for francesB-9 the hungry metal eater(A picture of her worn copy)

ME:  And third, what was the latest book you’ve read, so we can get an idea of how your tastes may or may not have changed? :D

KAREN:  Currently, I am reading the serial, The Debt Collector by Susan Kaye Quinn. I’m on episode 6 and loving it. Fascinating premise.

(Hmm . . . B 9, Episode 6 . . . are you catching the common thread here?)

ME:  And what has your progression as a reader taught you about yourself?

KAREN:  I am inquisitive. I love a good mystery that makes my mind work to solve it. I love the twists of the imagination that can take me anywhere, yet keep me grounded with enough truth to make the story believable. I’d rather read than watch TV. I don’t like to be bored and I don’t like boring details. And last of all, everything, whether in life or in books, has to have a point. Also, I don’t believe in absolutes. There is always a choice.

ME:  Most of us learn to read in the laps of our mothers, but in your case, it was your father who encouraged you to read. Tell me about your relationship with him.

Daddy kisses(Karen with her doting father)

KAREN:  My father was 18 years older than my mother, and when they decided to wed he told her, “Sweetheart, between the two of us we have fifty years of bad marriages. We’ve done all the don’ts. Let’s just do all the do’s.” (What a wise man.)

That is the kind of life he lived. He spent every evening reading to me once he came home from work. When my mother told him to rest and put his feet up because he’d been working all day, he told her she’d been working all day too, and when she sat down to rest, so would he. (Wow! A man ahead of his time.)

Between his two marriages, I was the only girl, so I will admit to being a bit spoiled by him. I remember the rumble of his chest as I sat on his lap and leaned against him as he read. His voice resonated through my entire body. It was incredibly soothing.

(This is the real reason I do these kinds of interviews . . . for bits like this. Can’t you just picture it?)

ME:  How do you think the loss of your father from a sudden heart attack when you were only four affected you later as a writer?

KAREN:  It has definitely made me more empathetic and thoughtful as a person, and I think that leaks into my writing. It is easier to put yourself in someone else’s shoes when you’ve had to deal with that kind of continual pain.

No father meant no Daddy/Daughter dates. It meant I had to pick a stand-in father for things like my baptism and confirmation. It has meant learning how to parent with a husband when I never had that example. It has forced me to look outside the box for answers to things, whether it be simplifying a method of moving (a zip line/pulley system for moving from a third floor apartment), or being flexible with raising children when my way is different than my husband’s.

For writing, being able to step into someone else’s shoes has made me a good character writer, because I can empathize and understand my characters as if they were real people.

ME:  I had no idea you spent the rest of your childhood in Kennewick, Washington–a stone’s throw away from where I now live. Tell me what Kennewick, now kind of the retail center of the TriCities, was like back in the 70s.

KAREN:  I loved living in the TriCities!

My grandparents moved there in the 1940s, and my grandfather alternated between farming his 100 acres and working security for Hanford when they were building one of the atomic bombs that were dropped on Japan. He had no idea what he guarded until after the fact.

350px-Hanford_N_Reactor_adjusted(Hanford Nuclear Site in 1960)

He turned to full time farming after that and raised sheep and alfalfa. There were no fancy sprinklers back then. He had to go out and change pipes twice a day. My brother and I tried to help, but at 4-8 years old, neither of us was really much help.

Kennewick was mostly agricultural, and my family, being poor, would go out and glean the crops after the pickers had been through. We got apples, peaches, asparagus, and more, and it didn’t cost us a thing. It was a blessing at a time when it was much needed–and fun, too. My brother, Sean, and I always managed to find something fun to do when we were supposed to be working. Collecting tadpoles in the canal near the asparagus was always a favorite.

ME:  You say that you and your brother spent hours playing make-believe or “space,” as you called it. Were you influenced by Star Wars back then, and how has that affected your writing now?

KAREN:  We were definitely influenced by Star Wars, as well as Battlestar Galactica, and The Black Hole. We didn’t get to go to the movies often, but when we did we absorbed it. Most of that came once we got to Oklahoma, but it began in those early years in Kennewick.

Sean, Mom, Karen 1983 or 1984(Karen with Sean and her mother in Oklahoma)

ME:  Please share the struggles you had with reading in First Grade and how your mother helped you overcome them.

KAREN:  You would think that after all the hours my daddy spent reading with me I’d have been dying to finish learning and do it myself, but after losing him, I lost all interest in the written word. It hurt too much to read. It reminded me of him, and when you’re so young (4-6), it is hard to understand why it hurts.

When I started first grade I pretty much refused to do anything to further my english education, and so my teacher put me in the lowest reading group, where I stayed for several months. One day, after seeing my report card, my mom sat down with me and talked about reading and how disappointed my father would have been to see that report card. Talk about a knife to the heart! As I cried, she reminded me how much he loved books, and that if I could learn to love books too, it would be a way of remembering and honoring him, and that even though he was gone, through the books he would be with me.

Right then I changed my attitude and spent the weekend working on my reading. I believe that was the weekend she bought Bread and Jam for Frances and B-9 the Hungry Metal Eater. I read and I read and I read. I read out loud. I read to my brother. I read silently when Sean got bored, and within a month I had gone from the lowest reading group to the highest. The teacher had never seen anyone improve so fast.

(And I’ll bet your dad was bursting with pride too.)

CCF01182012_00000(Karen in Second Grade . . . See how happy she was once she started reading again.)

ME:  How did the move to Oklahoma when you were eight impact your preparation to write the kinds of stories you create today?

KAREN:  Moving to Oklahoma was awesome! We spent a year in a trailer while our house was built, but once it was finished, we moved onto another farm. Forty-five acres this time, but my grandparents joined us and built their own home, and both of my older sisters lived on the acreage at one point or another as well. Even one of my older brothers lived with us.

It was heaven for a kid like me. I think that was where my imagination really took off. We lived several miles from any friends so Sean and I had no choice but to play with one another. We built rafts and forts, we learned how to use a jigsaw and made crossbows and swords and shields. Anything to make our imaginary life seem more real. I hated leaving there. To this day, Oklahoma is still the home of my heart.

ME:  Was it a difficult adjustment to then relocate to Utah at age 14?

KAREN:  I thought I would love moving to Utah, but it was a real challenge. I came from the country, carrying an accent and odd words, and nobody understood who I was. Even the kids who belonged to my church mocked me. I remember coming home from school one day in tears and asking my mom, “Why don’t they like me? If we belong to the same church, shouldn’t they accept me here?”

(Exactly. Of course, this kind of thing can happen other places, too. It’s a shame wherever it happens.)

In Oklahoma I had friends from all religions—Catholic, Baptist, Born again, Jehovah’s Witness, and more. None of them cared what church I went to, and it didn’t matter to me either, and yet in Utah, where I was supposed to be accepted, I was scorned. The lesson that taught me was to keep to myself. Put a smile on my face and put on my armor because I wasn’t going to let them beat me down. It was a hard lesson to learn, but I’ve done my best.

ME:  Tell us about the first book you ever wrote, and then please share the details of how you came to create and publish your first book, THE SAPPHIRE FLUTE.

The Sapphire Flute KAREN:  Actually, my first book was THE SAPPHIRE FLUTE! I got the spark of an idea when I was 22 and played with it for almost twelve years before I discovered writing conferences. I rewrote the book from start to finish at least ten times.

One of the conferences I attend regularly, The LDStorymakers Writing Conference, has a first chapter contest. The first year they began the contest I entered THE SAPPHIRE FLUTE and two other stories. THE SAPPHIRE FLUTE took first place in the fantasy category and another of my stories took second.

I continued to place for the next two years—first place in 2008 and grand prize overall in 2009. (Impressive!) During the conference I spoke with a writer who was beginning her own publishing company and she said that if my book wasn’t snagged by someone else, she wanted to publish it. I decided to go with her company and Book 1 of The Wolfchild Saga, THE SAPPHIRE FLUTE, was released to the world in March 2010.

ME:  What else have you written since then, and what are you currently working on?

The Armor of LightKAREN:  I released book 2 of The Wolfchild Saga: The Armor of Light, and the first book in a new series, The Misadventures of a Teenage Wizard: Two Souls are Better Than One, as well as a short book of poems titled And the Mountain Burns.  I am nearly finished with book 3 of The Wolfchild Saga: The Emerald Wolf, with plans to release it in late summer or early fall of 2013.

Two Souls Are Better Than OneAnd the Mountain BurnsKaren book 4 smaller

After that I’ve got three projects in the works: Book 4 of The Wolfchild Saga: The Amethyst Eye, Book 2 of The Misadventures of a Teenage Wizard: Attack of the Zombie Roadkill, and a Serial titled The Garoux and Faye Detective Agency. As to which one will come first, I have no idea. (Sounds like you’re set for a couple of years at least.)

ME:  Finally, what is your writing process like, and please describe your writing space in the voice of your Teenage Wizard, Jeremy James Johansen. (I must have a picture of your office area, too.)

KAREN:  My writing process is sporadic at best. I am trying to become more consistent in writing every day, but most of the time I will go months and months with no writing, then write a whole book in two weeks. I do a lot of pre-writing though, so that might account for it.

I find pictures of all my characters, do character sheets so I know their characteristics and quirks, learn their history, their goals, motivations, and conflicts and more. It’s a rather extensive process, but it makes it so that I can write those books in a very short period of time.

As for JJ describing my office, well, here you go!

*tap, tap, tap* Is this thing on? Whoa! That’s loud! Can we turn it down a bit? Yo, thanks, dude! *clearing throat* I don’t know why my maker wants me to describe her office. I mean, it’s not like she can’t do it herself or anything. Lazy, I guess, but hey, who am I to talk? So, the office. Yeah. She moves around a lot. You’d think she had ADD or something. She just can’t seem to settle. Right now her office is in the basement right at the bottom of the stairs. It’s dark. She hardly ever turns on any lights. My mom says that will totally ruin your eyes, but the woman does it anyway. She’s got a couple of bookcases with shelves falling down, a fridge throwing up hot air to her left, and a fan trying to counteract the heat on the right. It’s kind of messy, though not as bad as my room, and she keeps a couple of rat dogs in the bathroom. I mean, who keeps their dogs in the bathroom? That’s just weird. Her other rooms were more colorful, but this one works better, so I can’t say much. Sure hope she gets to work on my next story soon though. I really want to see what zombie roadkill has to do with a portal to another world. I mean, I’ve got enough trouble, right? Sigh Oh well. I guess that’s it. 

(That was great! Here’s a look at her office.)

2013-07-22 15.52.19For more about Karen, her writing, book trailers, and all her projects, check out her website.

And next week, I’ll be talking with clean romantic suspense author, Cami Checketts.

cami_checketts_photo

Originally posted 2013-07-24 13:28:18.