Tag Archives: Deseret Book

“Wednesday Writer” – Jennie Hansen

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Jennie Hansen

Everyone in the LDS publishing community knows who Jennie Hansen is. Besides having penned many of her own novels in several different genres, she reviews regularly for Meridian Magazine. And now she has a new novel out–WHERE THE RIVER ONCE FLOWED.

WheretheRiverOnceFlowed_COVER_COMP(Great cover!)

Here’s a brief synopsis:

New Mexico, 1879—The Sebastian Hacienda is a lucrative and coveted ranch deep in the fertile wilderness of New Mexico, a property held for generations by the powerful Sebastian family. After the death of his son and heir, proud and formidable Don Sebastian has only one hope for the preservation of his land: his beautiful young granddaughter, Iliana. Desperate, he makes a shocking deal—the property will be sold to Ross Adams, an American cowboy, on the condition that he marry the stunning young Iliana and bequeath the land to her sons. A bargain is struck, but not everyone is pleased with the outcome. Neighboring rancher Ben Purdy has his eye on pretty Iliana—and on ownership of the Sebastian Ranch. In his ruthlessness, Purdy is willing to go to terrible lengths to acquire them both, even if it means destroying everything in his path . . . Utah Territory, 1891—Travis Telford was born to be a cowboy. He left his family to chase the dream of someday owning his own ranch, but years of nomadic living as a ranch hand have proven taxing. After several seasons of horse trading with the American owner of the Sebastian Ranch, Travis finds his life dramatically altered by a routine stop at the property. He finds the ranch in chaos and the rancher’s beautiful widow Iliana in the midst of a turbulent land battle. His instinct to protect Iliana is undeniable, and as the danger mounts, only their reliance upon each other has the power to save them.

For those of you intrigued by the story, here’s the link to purchase Jennie’s latest in ebook form.

Now let’s get to know her a bit better.

ME:  As I understand it, you were first published at age seven in a farm magazine. You said that you’d read an article about a cat in that magazine, and that you were certain your cat was much smarter, so you wrote about her. Being a cat person, myself, my question is, why were you so certain your cat was smarter? (Also, I’d love to share a picture of you with your cat at that age.)

JENNIE:  I don’t remember anything about the cat in the article I read, but my cat, Streaker, could run really fast, jump from the treehouse to the next tree, catch mice and gophers, wiggle out of any doll clothes I put on her, sneak past KC the gander, and she found a hidden spot inside the barn to have her kittens where the coyotes couldn’t get them. (Okay, I’m duly impressed!)

My mother didn’t often get out her old box camera, and most of the few pictures she had were ruined in a flood when I was eight. I have only a couple of pictures of me at that age, but my cat isn’t in either one. One is of me in my blue satin Sunday dress…

Jennie-7

…and the other is of my cousin, Colleen, and I riding my brother’s horse.

Jennie and Colleen(There’s Jennie in back)

ME:  Like you, I moved around a lot as I was growing up, so I can identify with your sentiment about your siblings being among your closest friends. Do you still get together frequently, and have any of them made it into your novels as characters? (I’d love a picture of the whole family when you were young.)

JENNIE:  My siblings and I are still close and we get together as often as possible, which isn’t as often as we’d like, but we live in three different states. Cancer took one brother and one sister not long ago. I’ve never put any of my siblings in any of my books. My characters are always entirely products of my imagination, but I suppose there are bits and pieces of real people in my head that creep into those imaginary characters’ makeup. (I wouldn’t be surprised.)

Smith Family with G.Shepard(Jennie in the front row, far left, with her family)

ME:  As you moved between Idaho and Montana, which state did you come to prefer and why? Or was there no real difference between them? And how does Utah now compare?

JENNIE:  I found a great deal to love about each state, and I associate Idaho with my early childhood and later teens, while Montana holds my memories of those “tween” years from eleven to thirteen. I found the most enduring friendships in Idaho, but Montana can’t be beat for fishing, hiking, and outdoor fun. I love living in Utah now with its mixture of indoor and outdoor opportunities. It’s where we raised our children and holds the best of my adult memories.

ME:  I can understand how an early bout of rheumatic fever gave you the time to really develop your love of reading, but who or what got you interested in politics at an early age?

JENNIE:  My dad had strong political views, which he shared with us kids. I also had a history and civics teacher in high school who encouraged us to learn political analysis, as did a college economics professor. My years as a newspaper reporter honed my interest in politics, as well, since it brought me in close contact with many political figures and, in a way, led me to run for the town council, work as a page for the legislature, and hold various party offices.

ME:  Of all your awards in journalism and writing, which means the most to you and why?

JENNIE:  That’s hard to answer. Offhand, I’d say the national award I received for editing from the National Federation of Press Women, yet awards for various individual articles I wrote mean a lot to me too. This award matters to me because it was my first big award and because journalism played such a strong part in my life.

I felt extremely honored to be one of the first recipients of LDStorymakers’ Lifetime Achievement Award (as part of the Whitney Awards). And the Silver Trumpet Award from my publisher holds a lot of personal meaning for me. I really can’t say one means more to me than another. They both touched me deeply because they’re a tangible symbol of something I worked so hard to achieve.

ME:  Please tell us how your diagnosis of cancer affected your writing. And how do you maintain the kind of inspiration needed to keep producing novels at the rate you do–24 now (particularly since you also regularly review books for Meridian)?

JENNIE:  I was diagnosed with cancer four weeks after my first novel was released which kept me from an active role in marketing it. I gained some insights from my experience fighting cancer that affected subsequent books, but I never really wrote about cancer other than a brief bit in JOURNEY HOME a few years later. I did help a couple of other writers who were writing about cancer with their research. 

I always thought I’d write more extensively about cancer or have a character fight cancer in one of my books, but having lost two siblings to it, struggled through four bouts of the nasty C with a couple of my children, and recently undergone a pancreatectomy to keep it from destroying me in the near future, I find I can’t do it–at least not yet. (Wow…I’m not surprised.)

As far as the inspiration to keep writing goes, I’m presently taking a break from novel writing. I don’t have another novel started yet; I’m simply concentrating on getting well and focusing on my Meridian reviews. However, Covenant is putting out a Mothers’ Day book this spring that will have a short story by me concerning my two miracle granddaughters which I actually wrote while at the rehab center. I’ll always write–I have ink in my veins–but it might be awhile before I write another novel.

ME:  What gave you the idea for your latest novel, WHERE THE RIVER ONCE FLOWED, and what are you working on next?

JENNIE:  WHERE THE RIVER ONCE FLOWED has a convoluted history. I was in the middle of a six book historical series (The Bracelet series) when Covenant, my publisher, was purchased by the Church and fell under the same umbrella as Deseret Book. The new management decided my series and another series by another well-known author should switch from hardbound to soft cover and be only four books instead of six.

High Country

I already had Diamond completely written and was well into Sapphire. I hurriedly changed both books to leave out the jewels. Sapphire became HIGH COUNTRY with a different ending than originally planned. My publisher decided Diamond was much too long, and I wrote two other books, SHUDDER and IF I SHOULD DIE, while I figured out how to break up Diamond. As you’ve probably guessed, those two books became THE HEIRS OF SOUTHBRIDGE and WHERE THE RIVER ONCE FLOWED.

The Heirs of Southbridge

As for my next book? I don’t know; I’m not ready yet to undertake a task as large as writing a book. (I think you deserve a rest, too.)

ME:  As the first Whitney Awards Lifetime Achievement Award recipient, I think you’re in an excellent position to measure the growth of this particular awards program. How has it been successful, and what ways do you imagine it might expand in the future?

JENNIE:  It has brought a lot of attention to LDS fiction and educated readers to the fact that LDS fiction is not one-size-fits-all but represents every genre. In the future, I’d like to see these awards move away from peer awards and better represent the views of readers, but I’ve no idea how that might be accomplished. 

I support the concept of awarding and acknowledging quality writing in the LDS market and hope to see the  program grow. I’m not fond of the Best Book of the year part of the awards since I don’t think it is possible to  compare apples and oranges and determine a speculative book is somehow better than a Mystery/Suspense. It is my hope that, in the future, these awards will highlight better and better professionalism in LDS novels and perhaps even include nonfiction and novellas categories.

(I’d even suggest short story anthologies, since that seems to be a growing segment.)

ME:  And how about the state of LDS fiction? You probably read more of it than any of us. Are LDS writers getting better? Does it help that some are getting national exposure, or are there inherent dangers in going national?

JENNIE:  LDS fiction covers a wide quality range. We still have a lot of cheesy, poorly written novels. We also have many novels that can hold their own in any measure of professionalism. I see supposedly LDS novels that exhibit no adherence to Church standards or doctrinal accuracy and others that are so preachy I wonder why they consider their sermons to be novels. There are those that bend over backward to make sure there are no references to the Church and others that read like missionary tracts. 

I don’t know whether LDS writers are getting better or not. Some are; some aren’t. Editing is becoming more sloppy and I’m not sure if that is because of the large number of amateur editors offering their services (note I said amateur, not freelance. Some of the freelance editors are very good.), colleges aren’t producing as many qualified editors, the economy has made hiring and maintaining good editors more difficult, our general reliance on electronics instead of real people, or the fact that some small publishers and self-publishing for e-readers do no editing at all. There are plenty of well-written, well-edited books by LDS authors, but sometimes it’s hard to tell which is which until you’ve spent your money.

I’m pleased to see LDS writers succeeding in the general market, but most are really no better writers than those who are sticking to the LDS market. Most of that success seems to be in the teen market and is heavy on the supernatural, sensationalism, dystopia, science fiction, or some type of fantasy. Though those genres are all represented to some extent in the LDS market, there isn’t as much demand for them. Those writers are writing what they enjoy and the general market is where the demand for their type of writing is.  Equally good writers are staying within the LDS market to write what they enjoy and know.  I don’t think LDS writers succeeding in the general market is good or bad, and I believe it is a fallacy to think general is somehow better. I think it’s great that LDS writers are succeeding and making a difference no matter where they find their audience.

(Very well put.)

ME:  Finally, please describe your writing space in the voice of one of your favorite protagonists (your choice, but tell us who and from which novel, okay?). (Also, please provide a picture of said space.)

JENNIE:  This isn’t going to work for me. Once I finish a book and it is published, I really can’t get back in a character’s head. Almost half of my books are historical and my protagonists in those books would have no idea what my phones, printer, computers, cameras, Kindle, paper cutter, etc. are.

Kallene in IF I SHOULD DIE would probably wonder why I don’t upgrade my laptop and do more cleanup on my desk computer. She’d probably wonder, too, why I have a printer with more features than I need and is more suitable for a business office than a home office.

The mother-in-law, Barbara, in THE RIVER PATH, would likely tell me I need to dust more often, shred instead of stack papers I don’t need, and clean out my files better.

Macady from MACADY wouldn’t care one way or another what my office looks like, but would be more interested in meeting my family and checking to see if I have a horse or two.

(I think that gives us a pretty good idea of your space.)

My office 001(And here are a couple of views)

My office 002 (The business model printer must be hiding in the corner. :D)

If you’d like to get to know Jennie even better, be sure and check out her blog.

By the way, Monique Bucheger won the copy of Craig Everett’s Toby Gold and the Secret Treasure in last week’s Rafflecopter giveaway.

Come back next Wednesday when I’ll be interviewing Maria Hoagland about her new book, Family Size, and how she has developed as a writer.

Maria Hoagland

Originally posted 2013-02-20 06:00:38.

What a Terrific Second Day!

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Present word count of WIP: 39,556

Again, I didn’t have time to write and will definitely make up for it tomorrow. But yesterday was even more eventful for me than the first day was at the conference.

It started with next to no sleep the night before but, somehow, I dragged myself out of bed at 6:20 am for a 6:45 “All Star Breakfast” with the editors, agents, and faculty of the conference. The first 20 to register for the conference got this perk, even though I was feeling far from “perky” at that time of the morning. I certainly felt a lot perkier by the end, though!

You see, being the introvert I sometimes am, I headed for the unoccupied table in the back (forcing my roommate, Bonnie Harris, into my introverted ways, I’m afraid…but I think she was grateful in the end) then waited to see if anyone would join us. Susan Aylworth did and then, lo and behold, in came the top agent I’d pitched the day before–Jane Dystel of Dystel & Goderich–and she makes her way all the way back and sits down right next to me. She had asked to see the full of “Laps” the day before but I wasn’t sure if she was truly interested (after all, I’d submitted it to their agency two years earlier, though to a different agent) or simply being kind and encouraging…which she is. Then, five minutes later, we are joined by Linda Mulleneaux with Walnut Springs. In the course of conversation, Jane was describing her typical day at the office back in New York and I asked about her client list. She said she had approximately 50 active clients and perhaps 250 total, including the inactives.

Then she mentioned that she’d be having dinner that night with one of her clients there in Phoenix. Inside I’m thinking, “What a coincidence, since in my novel my reclusive protagonist is an author whose New York agent comes out to Phoenix to try and talk her into doing a book tour…so I was glad to hear that they really do make visits in this day of cell phones and email.” But I wasn’t about to mention that because we were having a great, relaxed conversation ranging from politics to publishing and I’d already done my pitch.

That was when Linda spoke up and potentially did me the greatest favor. Pointing to me, she said something like, “You know, Tanya here has written a terrific book. I’m only a few chapters in, but I’m loving it. It’s got this great beginning with this woman finding one of her students dead in her pool and the poem he’s left her is so wonderful.”

Jane looked more intrigued and seemed to want to know more so I explained the setup to the novel in a bit more detail then added that I also had a NY agent visiting my protagonist in Phoenix in my story. Linda then said something about how excited she’ll be to finish it and see it published. At that point, I turned to Jane and said, “Maybe I shouldn’t bother sending it to you in that case” and she said, “Oh no, I’d like to see it!” She then turned to Linda in full agent mode (this is no doubt what makes her a great agent…she never lets an opportunity for a deal pass by, big or small) and asked what kind of advances they gave. She was surprised to hear they didn’t provide any, but she pressed on, asking about their royalty rate (10-12%).

Linda, recognizing Jane’s interest, told me I should definitely submit it to Jane. Let me tell you, I walked away from that breakfast more than satisfied!

Later that morning when I had my scheduled pitch with Linda (which now almost seemed unnecessary though it gave us a chance to talk about the book more), she was very kind and supportive about my possibilities for a bigger market. If it turns out to be a rejection from Jane, though, I will go ahead and contact Linda, for sure.

I also pitched School of Guardians to Anita Mumm with Nelson Literary that morning and she wants me to submit the first 30 pages when I’ve got it completed. So I headed for lunch, having batted a thousand over the course of the 2-day conference: 3 requested submissions (Jane, Anita, and Lisa Mangum of Shadow Mountain, an imprint of Deseret Book) and a potential deal for Laps with Walnut Springs should Jane turn it down.

Now, I’ve been to enough writers conferences to know that all four possibilities may well evaporate in the end, but at the very least, I know I’m getting closer to my goal. And, as Lisa said in her empowering keynote speech at the close of the conference, our dreams are closer than we may imagine.

At lunch, like icing on the cake, I was announced as the 3rd place winner in General/Women’s Fiction for my beginning of Laps…and the 2nd place winner in Youth Fiction for my beginning of School of Guardians. These announcements were made in front of those editors and agents to whom I’d pitched those works. I was even happier when Bonnie (who also got a request for her full mystery manuscript from Jane) was announced as the Grand Prize winner of ANWA’s first BOB (Beginning of Book) Contest!

The ANWA Conference is getting bigger and better and, needless to say, it was well worth my registration, flight, and a few sleep-deprived nights!

My only disappointment for the weekend: not enough of an opportunity to have a long, deep discussion about LDS fiction and our role as writers who are LDS with Bonnie and my other roommate, Heather Moore. Since Heather’s going to be the featured guest at this year’s Northwest Writers Retreat in November, however, I still hope to have that opportunity.

Originally posted 2012-02-26 11:32:35.

“Wednesday Writer” – M. Ann Rohrer

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I met Ann a little over a month ago, thanks to a friend of mine, and now she’s a member of our local ANWA Chapter, the Columbia River Writers. I wasn’t surprised to find out she belongs to a few other writing groups, as well. And I have Ann to thank for passing along the invitation to take part in the recent Barnes & Noble Pacific Northwest Authors Event. While she has only published one book so far, I expect to see a lot more from her. Once you’ve read about her background, I think you’ll understand why.

ann-rohrer-author-_mattieME:  I heard some stories from the Pratt brothers in my BYU student ward back in the 70s about growing up in Colonia Juárez, Chihuahua, Mexico, but my memory’s poor. Please describe what it was like for you growing up there and include a picture or two. Also, what took your family there?

ANN:  Think southern Utah about sixty years ago; farming community, wide roads, redbrick homes with tin roofs on an acre or two; add tall cottonwood trees and Maples lining the streets. That is Colonia Juárez. Until relatively recently, most of the roads weren’t paved. One or two still aren’t, like the one that passes the family homestead where my mother now lives. I was born in the front room—the big window on the ground floor.

Colonia Juárez house(Interesting. That is not at all how I pictured it.)

My great grandparents were among the many families who came from Utah about 1886, to colonize and farm the land purchased by the Mormon Church (The Church of Jesus Christ of Latter-day Saints) from the Mexican government. My parents left the Colonies around 1950 and didn’t move back until 1980. But, we spent many summers visiting. My grandparents’ house was built in 1920 and didn’t have an indoor bathroom until the 60’s. We knew about outhouses and chamber pots. Haha.

Hated them.

(Can’t blame you.)

Summers in Colonia Juárez meant horseback riding, sneaking green apples from grandpa’s orchard, and proving our courage on the swinging bridge—a footbridge made of rickety planks held together with cables that would sway with every step. The crazy kids would jump up and down causing the bridge to undulate, scaring the living daylights out of us more cautious types.

Electricity was not consistent, and many a night we depended on coal oil lamps for light. Grandma cooked from a wood-burning stove and we did our wash once a week with a wringer washer (Believe it or not, I remember those! My grandma had one. That’s how old I am) and a big steel tub over a fire for the white clothes. I even remember weekly baths in the kitchen in one of those steel tubs. We all took turns. First one to bathe got the clean water. And it was never me.

(Hmm…too slow or didn’t you like baths?)

Colonia Juárez View

I thank Jeff Romney for permission to use this recent picture of Colonia Juárez. Central, in the background, is a Mormon temple, and bottom left in the foreground is a Catholic church. The building on the far right is the Juarez Stake Academy where students have attended high school since 1897. It is a private school owned by the LDS church with a dual-language program open to everyone for the price of tuition. My sophomore year was at the JSA. My parents lived in Peru, South America by that time, and their employer did not provide education after the ninth grade.

ME:  Why, when you were nine, did your family then move to Peru, and how did your years in Mexico compare to your ten years in Peru? Also, how have each of these places affected your writing? (And I must have a picture or two from your years in Peru, preferably one of them showing your whole family.)

ANN:  By the time I was five, my parents lived in Bisbee, Arizona. Dad worked for Phelps Dodge Copper Mine. About 1952 PD joined with other mines to form Southern Peru Copper Corporation. My father spoke Spanish and was hired in 1956 to help open the mine in Peru eventually becoming Drilling and Blasting foreman for SPCC. The picture below was taken about 1965. I’ll spare you the myriad of pictures of blasts that made it so deep. Dad was proud of his work.

Southern Peru Copper(Southern Peru Copper Corporation site)

Toquepala is a community carved out of the western slopes of central Andes Mountains for SPCC employees.

Toquepala

(You can make out the village in the lower left hand corner)

We lived at 9000 feet, the mine was at 11,000 feet, and the reservoir, where we liked to picnic, was at 12,000-14,000 feet, at the foot of the snowcaps. We could be at sea level in less than two hours. One learned to pop their ears or suffer the pain. Annual rainfall was about ½ inch. The mountainous desert was as barren as a sand dune. Close to the equator, Toquepala daytime temperatures never exceeded 75◦ and nighttime temperatures rarely dropped to freezing.

Naturally, life’s experiences surface in my writing. Anyone reading my books will learn about green apples, weekly baths in steel tubs, wringer washers, the terror of earthquakes, and the expansive beauty and terrible force of the unforgiving Pacific.

Ann with family(Ann, front and center, with her family)

ME:  I’m curious about the reason you returned to Mexico for your sophomore year and why you didn’t stay there to finish high school rather than go back to Peru (where you earned the rest of your high school degree by correspondence).

ANN:  After ninth grade, there were three options:  boarding school in Lima 600 miles away, return home to live with relatives, or correspondence.  My parents chose to send me to Mexico to live with my Dad’s brother and his wife—wonderful people with a large family, who had a daughter my age. I was fifteen—too young, and terribly homesick. Returning to Peru for the summer, I decided to stay, choosing option three to continue my education. Through correspondence, I finished my junior and senior year in twelve months and enrolled at Brigham Young University at age seventeen. . .just.

(Good for you!)

ME:  Have you always wanted to be a writer and, if so, what was the first creative piece that convinced you that you could succeed as a writer? Please share what you remember about it.

ANN:  Haha. You should ask. It’s not glamorous, nor impressive. My mother loved my letters and told me I should be a writer. (Yay for mothers!) She said it often enough, it became a recording in my brain, and when my last child entered high school, I signed up for a creative writing class.

Over a period of fifteen years, I wrote two novels—the first one about eight times. I didn’t know if I was any good; I only knew that writing was my passion second only to chocolate and caramel. Finally, I braved a critique group about four years ago. The others were published authors who validated me as a writer. You would have thought I had won the lottery—or landed a publishing contract—I was that excited. Haha.

(We do have a responsibility, I believe, to validate each other as writers. Yay for critique groups and mothers!)

ME:  What were your earliest memories of Tucson, Arizona where your family ended up in 1965? Whether you remained there for college or went elsewhere, I’m curious if and how much you were affected by culture shock and what you ended up focusing on in college.

ANN:  I don’t remember much culture shock, other than craving bologna sandwiches and Rainbow bread. Shopping was awesome. The young men didn’t whistle or cat call. That was a relief. The biggest shock was seeing snow for the first time. I was seventeen. It quickly lost its charm. I remember one morning, my third semester, middle September, lying in bed groaning because I knew without looking, from the sloshing sounds of the passing cars, that it had snowed. Haha.

Out of money and at loose ends and very homesick, I quit school and joined my parents in Arizona. I planned to work a couple of years and go back to school. Instead, I served a two-year mission for my church in Mexico City and then got married.

(By the way, Ann and her husband are currently serving a local church service mission together here in Kennewick, Washington.)

ME:  I imagine you were (and probably still are) fluent in Spanish. After settling stateside, did you find yourself drawn to the Hispanic community? Where did you find your best friends?

ANN:  Four of my grandchildren are Hispanic. While I speak Spanish, my grandchildren don’t, and their father learned to speak it when he was a missionary in a Spanish speaking country, as did four of my six children. I have great friends of both ethnicities.

MattieME:  How did you come to write MATTIE, and what are the basic themes of the novel?

ANN:  I wrote a short story about an incident during the Mexican Revolution experienced by my grandfather. The professor suggested it would make a good chapter for a novel. It was the only positive feedback I got from him. Haha.

Except for a couple of chapters, MATTIE is set in Mexico. Based on the lives of my maternal grandparents, it is a story of struggle, faith, and courage with a hint of romance and a healthy dollop of history during the Mexico Revolution. Viva Pancho Villa!

Pancho Villa(A picture of the Mexican Revolutionary)

ME:  How would you describe your writing process and what are you working on now? Also, what is the most important principle you feel a writer should always follow?

ANN:  If at first I don’t succeed, then to heck with it. Haha. I agonize over theme, story line, plot, and characters, and get it down from start to finish. Then, I do what I love, checking for consistency and fleshing out the story with description, emotion, and dialogue.

Currently, I am in the what-I-love phase of my second novel and in the agonizing phase of my third novel, a sequel to MATTIE. For now, the sequel is percolating on the back burner at about chapter three while I get book #2 ready to pitch to a publisher.

(I told you there would be more coming.)

The most important principle a writer should follow, you ask? Is there just one? Haha. I expect every writer has a list of what is most important. Let me add just one: don’t get attached to your literary genius. Be willing to slash and burn, even if it’s brilliant.

Very painful, indeed.

(Agreed.)

ME:  Finally, please describe your writing space as the character Enos would describe it from your novel. (And please include a picture of the same space.)

ANN:

“Enos thought he might find her at the kitchen table bent over a pile of papers writing in the flickering shadows cast by the coal oil lamp. Instead, she was comfortable in the family room sitting in a new fandangle chair with a hidden foot prop that whips out so she can put her feet up.  Surrounded by electric lamps, making the room bright as noonday, she opens what appears to be a black notebook without any pages. Placing it on her lap she stares for hours at a little picture-show, her fingers flying over rows of tiny squares with the alphabet painted on them in no particular order not making a lick of sense, but somehow it comes out right, like a printed page from a book.”

(Love it!)

Ann in writing space(And here she is at work!)

If you want to stay abreast of Ann’s work, you can check out her website or blog, or connect with her on Facebook and Twitter. Her historical novel, MATTIE, is available on Amazon, Deseret Book, and Barnes & Noble.

Next Wednesday, I’ll be interviewing another local Pacific Northwest author, Patty Old West, who, together with her husband, writes fanciful tales of the “Little People.”

Patty Old West

Originally posted 2013-09-04 06:00:45.