Category Archives: Writing

The Balancing Act

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When I set out to write I didn’t give much thought to publishing, let alone marketing. Now agents everywhere say your online marketing is an essential aspect of your professionalism as a writer. Many won’t even consider your work unless you have a significant online presence.

I can understand their point of view. After all, if the publishing house is no longer going to spend the time and money to really promote their beginning and midlist authors, who will? Certainly not your busy agent, beyond a tweet or a FB mention here and there. However, all this concern for marketing has gotten in the way of my writing. It has blocked my writing in ways I never envisioned.

It was so refreshing, then, to read Dean Wesley Smith’s take on keeping your writing first and foremost in answer to a comment on this excellent post:

There are a lot of promotions that are just a total waste of time. The best way to sell a book is write another one and then another one and make each one better. It won’t sell a lot of copies instantly as is the produce model of thinking, but over the long haul, you’ll make a ton more money and be a better writer.

I suggest most promotion be simply your web site (I am failing on this at the moment because of links, but fixing that), your publisher’s web site (we’re about to get WMG Publishing web site actually up and running), an occasional facebook post and an occasional twitter post. I don’t do either, really.

There are other things that do work a little. For trade paper books, WMG does catalogs to send to bookstores and we are making nice money that way. And sending out proofs, both electronic and paper, for major reviews of new books tends to work if your publishing house looks professional and your book looks professional.

But the rest is pretty time-wasting for most writers. They would be much better served in a five year plan to just write more work and get more readers. Let word of mouth spread the news about your great books. But again, that takes time and you can’t expect it to happen in a few months or even the first year.

I’m going to realign my social media efforts and put them back on the back burner where they belong. I can dip into Twitter 2-3 times a week, and maybe stir my FB status once or twice a week. I’m fortunate that Google+ hasn’t yet swallowed me up (and when it beckons, I’ll have to relegate it to the back burner, as well). What I can’t afford to do is get so sucked into internet surfing that I forget the main course–my writing.

Originally posted 2011-07-15 15:19:14.

“Anne of Green Gables” and Point of View

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Yesterday, I finished reading Anne of Green Gables by Lucy Maud Montgomery. It was a delightful read (and, yes, it was my first introduction to Anne…I can’t believe I missed out on her perspective all these years), which hit close to home in ways that, at times, made me squirm. Anne reminded me of a combination of my daughter and my red-headed niece, Margot. The dramatic flair, the embellished storytelling. That was fine because she’s a thoroughly likable character, even when she does show her temper because she shows it with such style! It’s as if Life is a performance art and she’s determined to master it.

The part that discomfited me was to see how much in common I had with Marilla, the plain spinster who takes this extraordinary orphan under her wing and, together with her brother, Matthew, determines to raise her well. While I have a good deal more imagination than Marilla, my inclination toward motherhood, I’m afraid, has never been as natural as I would have liked. It was touching and quite a relief, then, to see her soften toward the end. There’s hope for me yet!

As a writer, I couldn’t help noticing the shifts in point of view within scenes or chapters. They weren’t too disconcerting because the story carried me along, but at times I’d be in Anne’s head and then suddenly pulled out into the narrator’s (or 3rd Person POV)…or I’d be in Matthew’s and then Marilla’s, etc. I suppose they weren’t so strict about that kind of thing back in 1908 when the story was written. Even so, the characterization is marvelous and I’m anxious now to read the next in the series, Anne of Avonlea.

This whole experience with shifting POV has got me to thinking again about trying several points of view in my Beirut manuscript. Something along the lines of what Barbara Kingsolver did in The Poisonwood Bible. I’ll admit I’m having a tough time staying in a teenager’s head even though my memories of Lebanon are those of a teenager. Try as I might, I don’t think YA fiction is my genre.

Originally posted 2011-06-27 16:18:46.

Setting the Scene

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I’ve begun drafting my Beirut story and it’s certainly pulling up a lot of memories. Here are some visual clues to the neighborhood in Ras, Beirut where I’m setting my novel. (I think I’m going to have to create a link in my menu for Beirut Photos.)

While the family in my story is fictional, the street they live on–Rue Manara–certainly isn’t. Those of you who know French may have deciphered the first word (rue means “street” in French…Lebanon was a French protectorate from 1920 until sometime in the 1950’s). The second word, manara is Arabic for “lighthouse.”

About a hundred years ago, this is what the same area looked like from a different angle (thanks to a website titled Al-Mashriq run by a fellow ACS graduate) You’ll notice the Pink House existed that long ago, as well:

If you go to Beirut today, you won’t find the black and white striped lighthouse in operation any longer. Indeed, it was supposed to be torn down to make room for the city’s reconstruction program, so it may not even be there. It’s sad, really, for the same family had operated that lighthouse since it was first built back in 1850.

As for the pink house, I’ve been trying to pin down its origin. Even while we were living there in an apartment overlooking it, we heard all kinds of rumors (some not so savory) about what went on within its walls. I can’t believe it’s still standing. It certainly needs a paint job. Before the civil war, its walls were a much deeper and freshly painted pink.

This is what it looks like more recently:

Originally posted 2011-06-02 17:32:48.

The Situation

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It rained today. About an hour after we’d told our 17-year-old son it wouldn’t, and he walked out the door without a jacket. What’s the big deal? One of my son’s manifestations of his Asperger’s is the way he reacts to rain. He can’t stand it! If he feels one drop on his shirt, he needs to change the shirt. So, after fretting half of the morning, my husband finally drove down to the school to take him a jacket. Just in time, too, because by then it was beginning to pour.

As he got out of the car, he saw my son begin to emerge from one of the classroom buildings but the rain pulled him up short. For a second he looked panicked, until he caught sight of his father, running over to hand him the jacket.

His relieved response? “Thanks for appreciating the situation.” (Doesn’t that sound just like a kid with AS?) Then he put the hood up and ran off to his next class.

How often do I, as a writer, fail to appreciate the situation? By “situation,” I mean anything from misreading the weather patterns in my own querying process to ignoring the dreary rain of rejections or drought of fresh ideas a fellow writer might be experiencing.

Here’s my situation: I got yet another rejection from an agent. Yes, it was from the one I’d mentioned toward the end of my last post. As far as I can tell, I can do one of three things, besides getting on with my WIP, as well as the promised edit of a friend’s manuscript.

1) Send out more queries

2) Try a small publisher

3) Put it in a drawer (so-to-speak) since I refuse to self-publish this one

4) Do a combination of #1 and #2

I’m leaning toward the combination. Now, what’s your situation? I’m sure I’d better appreciate it (and be able to lend a figurative jacket) if I only knew about it.

Originally posted 2011-05-23 17:48:04.

Beirut it is

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I’ve gone back and forth over which story to write next.

First, it was going to be an historical women’s fiction piece set in a convent in 17th century Milan, Italy. I really had begun to give the main character shape and even mentally thought through her development over the course of the tale. Despite my fluency in Italian, however, all the research required intimidated me (not to mention the fact that I would likely need to return to Italy for some of that research…and we simply cannot afford such a trip just now).

Then I got all geared up to write a novel based on my experiences as a teenager in Beirut when the civil war broke out there in 1975. (I learned at the recent conference that such a story would be classified as historical YA fiction. Yes, I am officially old now.) I even began writing it until some other flashes of inspiration struck and stalled me…all speculative.

They’re good ideas, but not for now. I’ve been advised to go with my gut, not the market or even the suggestions of others. Today, I’m back on course with the Beirut story of a dysfunctional American expat family that finally comes together as a country begins to fall apart. (Now, don’t get ideas that this story is based on my own family. We were not, and are not, dysfunctional…but we were there.)

P.S. – I’ve submitted a partial of Laps to another agency. Keeping my fingers crossed because this agent is a dynamo.

Originally posted 2011-05-18 07:37:59.

What a Trip! What a Conference!

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I’m ready for human cloning (on a temporary basis, that is). I think writers need to have clones so that their writer self can remain at the keyboard creating while their marketing and student selves go off to conferences to learn, network, and pitch to agents and editors. (If you’re a writer, I know you agree with this.) The only drawback to the 2011 LDStorymakers Conference was that I couldn’t be in several places at the same time.

But first, the trip. Actually, it wasn’t too bad. Sure, I could have used a clone or two to help me drive for 9.5 hours straight (other than gas, food and potty stops). Still, it was great weather and at the end of the day I got to meet up with three old friends from my junior high days and compare notes over dinner. I hadn’t seen one of them since 10th grade. It was amazing to see how our lives had turned out thus far. Good fodder for a novel…but not right away or they’d get mad.

I roomed with the fabulous Liz Adair and Thursday morning was spent assembling folders and binders for the conference. Then, while everyone spent much of the day in Boot Camp, I got to drive down to Provo and have lunch with my beautiful daughter, Allison. Afterward, we lucked out and got into the Carl Bloch exhibit at BYU’s Museum of Art. He could tell an entire story with one painting or even one etching. I think my favorite altar pieces were those of Christ with the child and Christ at the Pool of Bethesda (particularly since it relates to my newest novel that I’m pitching). I arrived back in SLC that evening in time for a quick dinner and then a fun “Meet and Greet” with fellow Storymakers. The interviews conducted by Tristi Pinkston, Frank Cole, and Terri Ferran had me wiping tears from my eyes because I was laughing so much and I can’t wait to upload them to the new website. (I’ll keep you posted on that.) Stephanie Fowers and her sister were invaluable in taping the interviews. Warning: they’re in high def, so don’t be too judgmental on appearances. After all, some of these interviews were done at 10 pm after a full day of Boot Camp!

Friday and Saturday were a blur. This is when I really could have used a few clones. In between helping Liz with door prize giveaways several times each day and grabbing meals here and there, I attended great presentations by Becca Stumpf (on pitching), Marion Jensen (on Social Media…but I missed the last half because I was scheduled to pitch to Sara Megibow, a terrific agent–I don’t know how she did it, but I wasn’t nervous at all; I felt so at ease talking with her and she expressed interest in Laps), Sara Crowe (on synopsis writing, which turned out to be the pitch portion of your query letter rather than a full synopsis…not what I was expecting but still helpful), Josi Kilpack (on launching your book), Dave Wolverton twice (on habits of successful writers and on using resonance to make your writing sell), Bob Conder (on Screenwriting), and the energetic and funny Sara Megibow (on acquiring a literary agent). I also attended a speculative fiction panel featuring James Dashner, Rob Wells, Dave Wolverton, Julie Wright, and Howard Taylor. You might wonder why since my fiction thus far has been solidly grounded in reality, but about two weeks ago three fascinating ideas for novels hit me–all speculative (one YA semi-historical, and two dystopian). I know. I should have attended Rob’s on Dystopian Fiction, but hey–that would have required clones.

Anyway, the Whitney Awards Gala Dinner was terrific as always and some of my favorite people won, besides. I’d invited my daughter and a guy she’s dating, Bryan Beus, to join me since he’s an illustrator (he did the covers and illustrations for James Dashner’s first two installments in the 13th Reality series) and a soon-to-be-published author. He ended up knowing as many people there as I did!

My last comment on cloning: it might help de-stress your pet cats. Every time I go away for a short trip and then return, Peach and Anastasia have to get re-introduced to me. It’s as if they can’t believe it’s really me walking in the door. Of course, if they were to encounter more than one of me at a time, they’d probably go nuts, so that alternative won’t work…for them, anyway.

If we can’t have cloning at next year’s conference, maybe we can at least have an option to buy DVDs or CDs of the presentations we missed. What do you think?

Originally posted 2011-05-09 12:47:24.

Publishing’s Paradigm Shift – Effect on Authors

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With all of this movement toward e-books, what can authors expect in the near future? Some of the coming changes may include the following:

•Funding for authors’ advances may begin to be provided by external investors (as they are with films and plays)

•Best-selling authors, who already have a name brand, may turn to self-publishing for higher royalties, making more room for midlist and debut authors

•Until then, the bar is higher and authors may want to consider self-publishing

•Some authors are already serializing their books online to build readership

•Publishers can’t hold on to rights indefinitely by making books available as POD or e-books, according to recent rulings (when such a book is out of print, rights will revert to author)

Average advances today are between $1,000 and $5,000 for debut literary fiction as opposed to the $50-100,000 advances of the past. For commercial fiction: $15,000 or less. And publishing houses are beginning to shrink their lists, so it’s becoming more and more difficult to get picked up as a debut author.

One option is to take your chances with self-publishing and try to find ways to grow your own fan base. One unpublished author is serializing his new book, chapter by chapter on his website where, over the next ten weeks, it will build like a part-work. In the words of a friend, he’s “doing a Dickens.” And he’s making it available for free, betting that many readers won’t want to wait and will go ahead and download the entire book for less than the cost of a paperback. After that, it will go to Amazon, with an iPod version later. A second, already published, author, John Gorman, is serializing his new thriller to a WordPress site. On the site, his Mission Statement encourages people to contribute to the story. He won’t publish their words, but he might run with their character ideas and plot twists, so there’s a collective element to this novel.

For those who decide to self-publish, Publishers Weekly now puts out a quarterly supplement, called PW Select, that announces self-published titles for $149 and reviews for free those they feel are most deserving of a critical assessment. For more information, check www.publishersweekly.com/diy.

Personally, I went the self-publishing route for my first book and it’s seen very few sales, despite the awards, simply because it’s not out there enough. I won’t go that route again. I’d rather hone my craft and keep writing and querying until I get an agent. An agent will lead me to a publisher who can get my name out there. I’m hoping that a lot of these top authors who no longer need a big publisher will go the self-publishing route, thereby making room on publishers’ lists for more midlist and debut authors.

In my next posting on this topic, I’ll share the thoughts and experiences of some of those who have.

Originally posted 2010-11-15 11:04:47.

One Last Bit About the Retreat

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For those of you who are still not sure it’s worth your while or money to head up to the far northwest corner of Washington for a two-day writing retreat, here’s a list of all the classes and presentations packed in to those two days:

Thursday Evening:

“Joy in the Journey: The Road to Publication (Or Overcoming the Agony of Rejection)” by Janette Rallison

Friday:

“First Movies, Then Records, Now Books: Publishing’s Paradigm Shift and What It Means for Writers” by yours truly

“Finding Your Inner Matroyshka: The Six Stages of a Writer” by Liz Adair

“Cutting Off Your Baby’s Toes: Tips on Self-Editing” by Linda P. Adams

“Query Letters–Your Next Big Challenge” by Terry Deighton

“If I Can Do It, So Can You: My Experience in Self-Publishing” by Victoria Boothe

“The View From the Checkout Stand, A Bookstore Owner’s POV” by Chrisy Cope

“Ho-hum to Hilarious, How to Put Humor Into Your Writing” by Jane Still

“The Why and How of Blogging” by Monique Leutkemeyer

“Noah’s Story Arc: Building a Watertight Plot” by Christine Thackeray

“Fabulous Free Verse: Unleash Your Poetic Self” by Lara Niedermeyer

“Writing in Spite of Family and the Universe: Organize Yourself to Write” by Kersten Campbell

“See It/Hear It: Writing Believable Dialogue” by yours truly

“Careening Down the Road to Publication: What I’ve Learned on My Journey” by Ann Acton

“Screenwriting 101: Basics for Beginners” by Christine Thackeray

“How Can We Serve? Devising Literacy Programs for Presentation to Local Relief Societies” by Liz Adair

“How to Relive High School Forever: Writing for the YA Audience” by Janette Rallison

Saturday AM:

“Escaping From the Slush Pile” by Janette Rallison

Now, obviously, everyone couldn’t attend every class, so you had to pick and choose…but there was definitely something for everyone. And I haven’t even mentioned Terry’s Grammar Quickies, the terrific Get Acquainted activities by Marylou Bailey, the morning and evening yoga stretches led by Lara Nedermeyer, the singing led by Bonnie Harris (who’s due to give birth in about a week, by the way), the Critique Group led by Wendy Jones (who also took the awesome group photo below), the plotting and writing exercises, and the concluding meeting where we got to share how we felt about the whole experience.

It really was like Girls Camp…only for writers! Think about coming next year.

Originally posted 2010-10-15 10:04:47.

The Great Northwest (Writers Retreat)

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I’m still re-acclimating to regular life five days after returning home from a terrific, writerly get-away up near Deception Pass in the northwest corner of our beautiful state. I wish I had taken more pictures but, truthfully, I was too uptight to take in the scenery much until the last day when I no longer had to worry about presentations. Still, here’s a view from the main lodge’s balcony:

I was the first to arrive out of 32 women–all LDS writers who belong (or may soon belong) to ANWA (American Night Writers Association). We feasted on two days worth of classes, workshops, and presentations–particularly those of visiting YA author, Janette Rallison–arranged by Liz Adair and her local Round Tuit ANWA chapter…and some terrific food arranged by Ann Acton.

A big thanks goes out to Terry Deighton for the location (Rosario Beach Marine Laboratory). It seemed more like a first-class lodging facility than a science lab. I believe everyone was in agreement–we want to come back next year! Everything–the accommodations, the food, the presentations, even the spirit of the event–was like Girl’s Camp for Writers…only with nice comfortable beds and showers! And the facility can accommodate many more. So if you’re an LDS woman who writes, mark your calendars now for the weekend after General Conference in October, 2011.

As for my presentations, I plan on sharing bits and pieces of “Publishing’s Paradigm Shift” here on my website over the next several days. I’m going to post my other presentation (“See It/Hear It: Writing Believable Dialogue”) in several parts over on my blog.

Originally posted 2010-10-14 12:57:46.

There is hope for literacy in the world

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Poetry has not died. It lives on, stubborn and grasping for its place in a world where art has too often been shoved to the side by commercialism. And it has planted seeds in those most innocent–our children. Through boys and girls like this wondrous three-year-old, it will grow and blossom far surpassing in effect any bestseller.

Originally posted 2010-08-22 16:02:37.