Author Archives: Tanya

About Tanya

Author of award-winning suspense-filled general and women's fiction.

Jason’s Thoughts on His First Pathway Class

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This Life Skills course even helped to prep my son for his first final exam…which happens to be on this same course. He had to complete a Study Guide in two parts. The first part was a sample test, posing multiple choice questions on everything they covered. The second part consisted of three essay questions.

As I read over his responses, I thought they provided a good gauge of where his thinking now lies in terms of entering into adulthood. With his permission, I’m sharing them here:

1. What are your motivations for attending college and what do you hope to achieve by continuing your education?

My motivations for attending college are a desire to complete my education, a goal to get a decent job so I can support my future family, and I also want to learn how to use my talents in order to better serve my community. By continuing my education, I hope to achieve independence and a better sense of who I am.

2. In a well-written paragraph, explain what it means to lead with a small “L.”

I think leading with a small “L” means that you don’t strive to be in charge of everyone. Rather, you try to serve those who need your influence. Although my Chamber Choir friends voted me as “Most Influential Choir Member,” I was touched that they noticed my desire to make choir class a fun experience for everyone. Many Church leaders engage in service projects because they want to help someone in need, and that’s kind of like leading with a small “L” because they don’t want to be admired. They want to serve.

3. What three things from this course had the most meaning to you and how have those items impacted your life?

The three lessons that meant the most to me during this semester were those involving BYU-Idaho’s mission to develop disciple-leaders, career exploration and academic planning, and the setting and achievement of goals. 

I came to understand for the first time that college is about more than job preparation. At BYU-Idaho, students gradually become both better disciples of Jesus Christ and leaders in their fields, as well as in His kingdom. As we learn, always with our eyes turned to the scriptures, and put into practice the gospel principles studied, we cannot help but grow closer to the Holy Ghost and thus be influenced by it. In this way, we will become stronger followers of Jesus Christ. We will also benefit from the Spirit’s tutoring in our academic classes, and thus be better students. This will prepare us to lead once we leave the university. We will lead in our chosen professions, and we will lead as we are called to service in the Church. 

Before I took this class, I really had no idea what career I should pursue. And so the lesson on career exploration was extremely helpful in guiding me toward Library Science. I knew I loved books, but I wasn’t sure what jobs were available around books until I took the different assessment tests. Now I know I want to be either a librarian or an assistant librarian, and I know what courses I need to take to prepare for that field. 

Finally, the challenge to set a particular goal became meaningful in my life because it caused me to begin something I had never tried before. I had been, up until now, fairly sedentary. Not liking sports (except for swimming), I spent a good deal of time sitting in front of my computer or the TV, or reading. I decided it was time to get physical and I began an exercise regimen that continues today. This has caused me to feel stronger than before and a lot more fit. I think this will have a lasting impact on my health, and thus my life.

Let me just add that I think so, too!

Originally posted 2012-12-07 13:59:35.

“Wednesday Writer” – Kelly Nelson

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I have yet to meet Kelly Nelson face to face, even though we share the same publisher, Walnut Springs, and she lives in my general neck of the woods–the Great Northwest. Still, I can’t wait for an opportunity to do a book signing together (hint, hint, Amy) because she certainly seems to have a way with in-person sales! While she’s only published one novel so far, I expect a lot more to follow because it’s the first in a series, The Keeper’s Saga! In fact, the sequel to THE KEEPER’S CALLING is due out in January. She lives on a large horse property with her husband and four children.

ME:  How did you come to love horses and do they ever figure into your writing? (Also, I must have a picture of you riding.)

KELLY:  I think I was born with the “horse gene.” There is an audiotape of my dad interviewing me when I was 3 years old and he says, “What do you love?” My answer: “Horses.” One of my first toys was a spring-style rocking horse purchased from a garage sale. I remember playing with that until I was at least 10 years old.

Wasn’t she a cutie? How many of us had one of these?

Every book I have ever written has horses in it. I figure life would be pretty boring without them, so my books must need to have them, as well.

ME:  What was the most life-changing event of your childhood or adolescence, and could you describe how it affected you?

KELLY:  Getting my first horse was definitely the most life-changing. Being desperate for a horse, I jumped at the chance to have any one I could get my hands on. The first horse my dad and I looked at was Misty, a thoroughbred off the racetrack. I think he liked the fact that she was fast, or maybe he was already tired of looking. (My vote’s the former.) Anyway, we bought her, and I had to learn to cowboy up or that horse would run right over me. Out of necessity, I overcame my natural shyness and developed self-confidence. (So that’s what I need to excel at Costco Signings? A fast horse? Hmm…not sure my back could take it.) The challenges I faced as a result of my horses have definitely shaped me into the person I am today.

There’s my promised riding picture! Kelly on Misty.

ME:  How old were you when you wrote your first story that wasn’t an assignment? Do you still have it and can you summarize it for us? (A picture of you at that age would also be nice.)

KELLY:  The first story I remember writing was called Cassandra. I wrote it when I was fifteen and a freshman in high school. It was the beginning of a novel about a princess caught in the crossfire of two kingdoms battling to settle a boundary dispute. And of course there is a knight in shining armor and a peasant boy she can’t help but fall in love with. I hadn’t plotted it out, so the story fizzled after about thirty pages. And yes, I still have those old sheets of notebook paper stuffed in some obscure box in my closet.

Check out that relic she’s typing on! Do you remember the green letters? But, hey, I’m impressed…she’s all set up and organized to be a writer at 15!

ME:  Okay, I married an accountant. He’s a terrific organist, too, but hardly has a creative bone in his body (except for the lovely poems he wrote while courting me)…so how did you go from being “an avid reader” with “a passion for creative writing” to a numbers cruncher? And what made you return to your real love?

KELLY:  My first passion has always been the horses. As a teenager, I recognized horses are an expensive hobby and I didn’t want the lack of money to prevent me from following my dreams. My dad was a CPA and professor of accounting at BYU, so it seemed natural to follow in his footsteps. Accounting concepts came easy for me and it was a field with a lot of job opportunities. Plus, it helped having a built-in tutor in the family.

It wasn’t until my youngest daughter went to school that I longed to pursue my writing dream. It started as a New Year’s resolution–see if I could actually write 80,000 words, have them make sense, and be a story someone would want to read. Three years later I was published, but let me tell you, they were long, hard years. (I think many of us can identify with that last bit. :D)

ME:  What are some of the main differences between the residents of Orem, Utah, where you were raised, and Cornelius, Oregon, where you now live? And which community do you pull from more for characters in your fiction?

KELLY:  Orem is a city environment and where I live now is very rural. When I was growing up, Orem had a high percentage of members of The Church of Jesus Christ of Latter-day Saints. Where I live now, there is a wider variety of people in terms of their faith and their values. I have now lived in Oregon longer than I lived in Utah, so I am more familiar with the Oregon setting and use that more often in my writing.

ME:  How is it that you came to travel to such distant lands as England, France, Egypt, Israel, and the West Indies? (I’m guessing a Jerusalem Study Abroad took you to Egypt and Israel…but the West Indies?) Also, I’d love a picture of you in front of the Pyramids. You must have taken one, because everyone does.

KELLY:  You are right about the study abroad thing (Yes!), but I actually did the London study abroad during college. (Oh…okay, only half right. I did London, too, by the way.) At the end of our time in Great Britain, we spent 5 days in France, and two weeks touring Egypt, Jordan, and Israel. It was our director’s last year coordinating the summer semester, London study abroad and his youngest daughter was one of the students, so I think he went all out to make it an unforgettable experience. (I’ll say!) One of the perks of my husband’s job is the occasional reward trip. Because of that, we have traveled to fancy resorts in the West Indies, Mexico, the Bahamas, and Hawaii. (Nice!)

The obligatory pyramid pose

ME:  What gave you the idea for your first book, THE KEEPER’S CALLING, and what process did you follow to write it? Also, what are you working on now?

KELLY:  I have always been fascinated with time travel and knew I wanted to incorporate that into my novel. The events comprising the first three chapters came to mind while on a hike in Zion National Part in southern Utah. I saw several indentations in the sandstone walls and thought to myself, “What if those were caves? What if you found something buried in there that took you back in time?”

I decided on a male, high school senior for my main character and then thought, “Oh, what if he met a girl back there?” And the rest is history, or rather The Keeper’s Saga. (Hmm…I think I’ll bump this up on my reading list.)

I am currently editing the third book in my Keeper’s Saga trilogy and contemplating a companion book that tells Garrick the Guardian’s story.

ME:  We’ve got to get a look at your writing space. Please provide a picture and tell us what knick-knack on your desk means the most to you and why.

KELLY:  You’ll laugh for sure. I don’t have a desk. (What? What happened to that super-organized 15-year-old?) Sitting at one tends to make my legs and back ache. I do have an incredible oak sleigh bed with a perfectly curved headboard. One laptop, a few pillows stacked behind me, and my memory foam mattress have provided all I really needed in the way of creative space.

She wasn’t kidding.

I frequently tote my laptop around to my kids’ sporting activities, piano lessons, swim lessons, etc. I am willing to write anytime, any place. I was addicted to it when I was writing The Keeper’s Saga. It was like reading a good book–I couldn’t put it down.

ME:  Finally, it has long been apparent to me that you are the “Costco Queen.” What are your secrets to a successful Costco Signing (beyond the self-confidence built up by Misty), and what was the strangest encounter you’ve had yet?

KELLY:  First of all, strangest encounter: The man and his friend who were buying a huge cart full of beer, Gatorade, chips, and other snacks for the weekend Cycle Oregon event. He had me sign a book for his 16-year-old daughter, then wanted a picture of me with him. When I stood up for the picture, he ran his eyes down me and said, “You’re a tall drink of water.” (I am 5’9″ and I was wearing heels.) I had no idea what to say to that. As if I wasn’t there, he started saying to his friend, “We should take her with us. Wouldn’t it be fun if she came with us?” This guy talked non-stop and it was hard to get a word in edgewise. Luckily, I was able to hurry them on their way and I never heard from him again. (Okay, regardless of the sleazy come-on, do you see now why I want to do a signing with Kelly? She’s hard to resist, so even if you don’t sell a lot, you’re sure to have a fun time watching her shoot down all these men…with grace, of course.) 

Hmm, Costco sales strategy: I don’t know that I have any special secrets, but I dress professionally and wear my lucky lipstick, :D …plus, I feel like the premise to my book is appealing to a wide variety of readers. If you’re interested, here is the long version of what has worked for me.

First of all, I’ve noticed there are a lot of people who don’t realize what I am doing there. You would think it is pretty obvious, but I have had so many people ask me for clarification. Even after introducing myself as either a “local author signing books today” or in Utah, I say, “I’m from Oregon and I’m in town signing books today,” they will still ask, “You wrote this book?” or “Will you sign it for me if I buy it?” I figured this out on my second book signing in Oregon. A lot of people assume we are Costco employees, so I think it is important to make sure they know who I am and why I’m there.

To get people to pause long enough for me to tell them this, I say, “Would you like a bookmark?” The negative of this is that you can burn through a lot of bookmarks. (If you buy in bulk, like 4,000, they are around $.02 each.) I used to hold the bookmark out to them as I asked, but then I realized that I was making it easier for them to take it than to say no, and I was probably giving bookmarks to people to whom I had no chance of selling a book. Now I ask people without actually holding the bookmark out. If they are interested, they have to walk over, but if not, it is easier for them to turn me down than to take the bookmark.

You can kind of tell when someone is interested by the longing look in their eyes or their body language. Sometimes I hold out the book and say, “You can take a look at it, if you’d like.” I’m always surprised at how many people will take it and say, “Thank you,” like I just did something really nice for them. Getting the book in their hands is always a step in the right direction. If they linger after I introduce myself and look a little interested, I will just keep talking. I flip the book over and point to the counter on the back and say, “It’s about a high school senior who finds this gold device buried in a cave on a summer camping trip in Zion’s. He touches one of the buttons inside and it takes him back to 1863. Of course, he has NO idea what has happened to him. He rescues a girl back there and saves her life. It was her grandfather who buried the counter, so as long as he’s alive it will only work for him. And of course there are people who want to take it.” Give or take a little, that is basically what I say.

I try to find something about my book that might appeal to people wherever I am, and I try to find something that makes me unique. So at home, I say I’m local. In Utah, I say I’m from Oregon. In Oregon, I say the book is set locally, or it is about a Hilhi senior. In Utah, I make sure to include the bit about Zion National Park.

When they ask me what age group it is for, I tell them young adult fiction. But I’ve noticed if I can tell some specific stories about actual readers, that usually gives me a good response from potential buyers. For example, I might say, “I’ve had kids as young as 10 and 11 read it, all the way up to a 90-year-old man who read it twice because he liked it so well.”

That was an info dump if I ever saw one. :D Probably way more information than you wanted.

Not at all. I’m sure there are plenty of writers (including me) who will appreciate the tips. And if any of you want to know more about Kelly and The Keeper’s Saga, just click on her website. Ready to start reading her series? Click here.

Originally posted 2012-12-05 13:03:05.

“Wednesday Writer” – NYT Bestselling Author Robert Dugoni

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A little over a month ago, I took part in a local conference for readers and writers called “Rivers of Ink” here in Richland, Washington. I was there to participate on a panel regarding self publishing, but it gave me the opportunity to meet our keynote speaker, New York Times bestselling legal thriller author Robert Dugoni. I’ll never forget his tale of struggle and eventual success as a writer…nor his description of his first writer’s space. He very graciously said “Yes” when I asked if I might feature him in one of my interviews.

Me:  You’ve said that at age 13 you knew you wanted to be a writer. What made you decide that, and, before that point, what career(s) had you hoped to pursue, if any?

Bob:  I just loved stories. It was as simple as that. I loved to read them. Loved to write them and loved to tell them. I had a 13-year-old baseball team convinced I was a descendant of British Royalty. I had this elaborate story and they all sat in that dugout mesmerized until the end when I told them I’d made the whole thing up. They thought that was even better than the real thing. After that they’d ask me to make up something else.

(Definitely some of your earliest fans!)

Me:  Why thrillers? What makes you write suspense, and, in your opinion, why do readers crave it?

Bob:  In all honesty, I chose thrillers because I was a lawyer and Grisham and Turow had just started the legal thriller genre. It seemed a natural and the easiest fit. Unfortunately, my first book came out just as the genre had really died down. But I really just love to write. I don’t consider myself a genre writer. Often people have trouble classifying me because I don’t write your traditional thrillers with all action and dialogue. I have a lot of character development and that throws some people off. My books, I’m told, are more cerebral than a lot of thrillers. (Just my kind of thriller.) I try to write honest characters, people who have self-regard for their own well-being. I figure if my character cares about him or herself, then my readers will care about them. If I can get my readers to care, I can get them invested, and once I do that, then I can put my character in peril. People love suspense. It’s why surprise parties are a big hit. People want to not know. They want someone to outsmart them. They want to try to figure things out.

(Exactly.)

Me:  What has each of your previous occupations–gas attendant, hospital janitor, journalist, and lawyer–taught you about people? Have any of those lessons come out in your novels?

Bob:  Every lesson has come out in my novels. Everything I learned at home and every person I have encountered in my life has provided me with some material. I learned a lot pumping gas. Back then there was no self-serve. I worked alone at night on one of the busiest streets on the San Francisco Peninsula. I had all kinds of things happen. What I remember were the people who would sympathize with me when I was working so hard. And I remember the people who didn’t. It was great insight into human compassion. I couldn’t get to a pump one time and the guy had only asked for $5 of gas. It turned out to be over $8. He just stood there and watched the numbers tick by. Didn’t even try to turn off the pump. Stood there saying, “Oh I’m loving this.” Then he handed me a ten and said he wanted his five back. The mistake was mine and he didn’t care what my boss said when he couldn’t balance the books. The guy was in a suit and driving a Mercedes. Honest.

(Hmm…gas prices have changed but human nature can still be pretty low, eh?)

Me:  I know you spent several years working on learning your craft in order to write well enough to become a best-selling author. What are some of your favorite books on the craft of writing?

Bob:  Christopher Vogler’s book, THE WRITER’S JOURNEY; Sol Stein, ON WRITING; ELEMENTS OF FICTION by Writer’s Digest, all of them; and SELF EDITING FOR FICTION WRITERS.

Me:  You’ve said you’re obsessive compulsive. How does this hinder or help your writing process?

Bob:  It helps in that I have to write and once I get going I am very fast. I can write thirty pages a day when I’m going. The hard part is shutting down and letting things go. Sometimes I’m on overload and have to go and exercise just so I’m tired enough to focus.

Me:  I imagine that, as a journalist for the Los Angeles Times and then a law partner later in Seattle, you’ve seen a wide variety of offices. Please compare them to the office you set up for yourself when you gave up the law and decided to write full-time. Are you still writing there, or do you use a different office now? (I’d love to post a picture of either that first small windowless office or your current writing space.)

Bob:  I don’t have a picture of that windowless 8X8 foot office. I wish I did. I never was one for a big office. To me it was always just a place to work, get as much done and then go home. I guess it’s that old adage about not living to work but working to live. I never wanted to make my office so comfortable that I wanted to stay there. I guess I also was never comfortable with the thought that any office I would be in would be my last, that I would be an attorney forever and forty years later I’d retire and pack up and leave.  I now have an office at home that I have cluttered with knickknacks from all my travels, framed photos of my books, a picture of me running my one and only marathon, the cover of Time Magazine when the Loma Prieta Earthquake hit and my Giants World Series Ticket Stub. I also have a poster of Elvis Presley at 22 years of age that I put on a grape crate. I’ve had that poster since I was 16 and its been on a wall in my home ever since.

(Nice! I don’t even need a photo to visualize all that.)

Me:  Tell us about your experience getting an agent . . . and what finally made the difference.

Bob:  It was difficult. My first agent died and no one bothered to even tell me. (He told this story at the conference…he’d been waiting for the contract for almost a month and finally called. That’s when he got the news.) I finally got an agent when I had a product people felt worthy of representing and trying to sell. That was the bottom line. I needed a product that was good, a story that held together. I had something someone believed in.

Me:  Okay, bear with me for a minute. Let’s say they’ve arrested the Wicked Witch of the West from The Wizard of Oz (your favorite fictional villain). She’s being tried by the people of Oz for kidnapping, dognapping, and disturbing the peace. How would your protagonist, defense attorney David Sloane, successfully defend her when faced with a jury full of Munchkins? (A few lines of courtroom dialogue will do.)

Bob: (Cross-examining Dorothy)

“Is it true that you dropped a house on my client’s sister?”

“Oh my. I didn’t mean to.”

“Nevertheless that is a picture of your house, is it not?”

“Yes, that’s our home in Kansas.”

“But this isn’t Kansas and that isn’t Aunt Em whose legs are sticking out from under that house is it.”

“No it isn’t.”

“And my client’s sister was in possession of a pair of ruby slippers, wasn’t she?”

“I had nothing to do with that. You see, I was trying to make it home to Aunt Em when this tornado hit – ”

“Could you answer my question Ms. Gale? Those ruby slippers were on my client’s dead sister’s feet, weren’t they?”

“I guess they were.”

“And then they were on your feet, weren’t they?”

“I didn’t –”

“Ms. Gale?”

“Yes, they were on my feet.”

“So you can see, can’t you why my client would be upset, can’t you?’

“I suppose I can.”

“And she asked for those slippers back, didn’t she?”

“But Glynda the Good Witch of the South told me not to.”

“I’m sorry, did you just say ‘Good Witch of the South’?”

“Yes.”

“And I presume this ‘Good Witch of the South’ rode in on a broomstick?”

“Oh no, she floated inside of a bubble.”

“A bubble, you say?”

“Yes, a bubble.”

“Ms. Gale, did you happen to ingest any hallucinogenic drugs prior to your landing in OZ and stealing a pair of shoes off of a dead corpse?”

“Heavens, no.”

“Have a little bump on the head did we?”

“Yes, the window frame came loose and hit me.”

“And you blacked out?”

“I did.”

“Are you a vivid dreamer, Ms. Gale?”

“Oh yes, I have some wonderful dreams.”

“I don’t doubt it. The defense rests, Your Honor.”

(Well done! Case closed.)

Me:  Where do you see Publishing going in the next five years, given the growth of e-books? Are agents and publishers nervous or are they adapting, and, if so, how?

Bob:  I think we will see fewer and fewer hardbacks and fewer and fewer authors published in hardbacks. I think the successful authors at the top of the food chain will also shrink. I see publishers investing less money in new authors and giving them less time to be successful. It’s cheaper and the odds improve if the publisher invests in many authors with the hope that one of them hits it big.

Me:  Finally, did you ever get a chance to meet Scott Turow and tell him how he’d impacted your life? Or does his writing (as well as that of John Grisham) hit too close to your own to make such a meeting possible or comfortable?

Bob:  I met Scott Turow at a conference in South Carolina. He was the keynote speaker. Afterward, he was in the green room with the rest of us presenting at that conference. I walked up and told him that I’d really disliked him. He looked shocked and I told him the story. He smiled. Turned out to be a really nice guy.

(You see, Bob went to law school thinking he could write a book during his second year just like Scott Turow did. Of course, he found out he couldn’t. Then he thought he’d try and write while practicing law just like Turow did. Again, he found it impossible. So Turow had become a sticky point for him. :D)

Here’s Bob’s official website where you can find out more about him and his writing. He’s authored seven books, including his latest, THE CONVICTION.

Another thriller, MURDER ONE, just came out in paperback. But if you want to get to know David Sloane from the beginning, I recommend THE JURYMASTER. Great read!

Originally posted 2012-11-28 06:00:42.

Jason Gets Physical!

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As I mentioned in the last few paragraphs of a much earlier posting when I reviewed my initial reactions to Jason’s Asperger’s diagnosis, one of the harder things to come to terms with for me was that I probably wouldn’t be able to enjoy my son’s participation in team sports. I know there are those with AS who do get into such activities, but it’s not usual. And having grown up as a “tomboy” myself, I had looked forward to playing “catch” or “one-on-one” with Jason as he got older.

Still, I held out hope that perhaps I could interest him in a more solitary game like tennis. No dice. Sports–any and all sports–turned out not to be his thing. We considered it a real accomplishment just to get him swimming. And we kept our fingers crossed when he “had” to take weightlifting and racket sports in high school to meet his P.E. requirements. He made it through both classes, but as soon as he graduated, it was back to his sedentary lifestyle.

That is why I considered his Pathway assignment two weeks ago on setting goals–and his selection of the physical goal of exercising to build muscle and gain some weight–such a gift.

I’ll be honest. I purchased the TRX Suspension Training DVD and equipment this past summer for myself and my husband. I knew we needed to get into better shape (me particularly), and I was good to begin with–as long as my daughter was around to work out with me and motivate me. But once she left on her 18-month church mission, I was on my own. And the suspension straps hung limply for 3-4 months.

Then Jason chose his goal and suddenly they were in business again! He may not care for sports, but I think he’s liking the feeling of getting stronger.

This exercise system was developed by a former Navy SEAL and it builds strength, flexibility, and endurance while burning calories and strengthening your core. As you follow the accompanying video, you can choose the easier routine or the harder, or do a mixture of both.

The Sprinter Start with the Knee Up

The Hamstring Curl with Hips Up

The Mid Row (Single Arm)

The Chest Press (Leg Extended to the Side)

The Deltoid Fly (Offset Stance)

The Kneeling Roll Out

The Plank on Hands (held for 30 seconds)

The Side Plank on Forearm (also held for 30 seconds)

(Note: I do not even attempt this one…yet.)

After all the exercises (only some of which are shown here), the video concludes with some cool-down flexibility routines.

The Lower Back Stretch

The Long Torso Twist

The Chest and Torso Stretch

And we’re done for the day.

Jason does this now three times a week. I’d started with him then got sidetracked when I had to travel to Utah for a book signing. That was actually a good thing because Jason’s dad had to cover for me and now he’s interested in doing it for himself. So now that Thanksgiving’s over, I think we’re both going to get going on this next week.

Not only has Jason begun to put on some weight (1.5 lbs. in two weeks), but he’s getting out of that chair in front of his computer…AND he’s got both Mom and Dad committed to following suit.

After all, we can’t let him show us up!

What do those you know who are autistic or have AS do for exercise? And what do they absolutely refuse to do? I’d love to hear from you.

Originally posted 2012-11-23 17:26:13.

“Wednesday Writer” – Marsha Ward, the Early Years

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(This is actually the second half of my interview with Marsha Ward. If you missed the first part, go here.)

The author as she is now…

And when she was a good bit younger.

Me:  Describe growing up in Phoenix and how it impacted you as a writer. (I’d love some pictures of you as a child in that setting.)

Marsha:

When I was born, we lived in what is now very much the heart of the city of Phoenix. However, at that time, it was beyond the city limits. We had a few acres where we raised a calf or two, kept a few chickens for both eggs and meat, had a grove of citrus trees, and  incinerated our trash.

There she is as a baby!

Checking out one of the calves.

Out in the orchard.

I remember having rock fights with neighbor kids (the bully of the neighborhood, in fact) when I was quite young. I must have been no older than three or four at the time. I didn’t use very good sense on one occasion, and turned my back before bending down to pick up fresh ammunition. Of course he hit me where he aimed, and I was so blood-curdling mad! (I’ll bet she’s described that bully in a hundred different ways over the course of her novels.)

I was what was called a “tomboy” in those days, playing all the games I could dream up, and running free throughout the neighborhood as children never can today. Since my dad was in constructions, we had a considerable amount of construction stuff around the property, so I built my own cabin or “fort” from sawhorses and burlap bags, and—don’t tell my mother—it had a fireplace that I actually used at least one time.

 

Even though I had three brothers and three sisters, I liked to be alone some of the time. One favorite activity was climbing the female mulberry tree in the front yard with a book to read, and eating all the fruit I could reach until my stomach was so full it ached, and my hands had turned purple from mulberry stains.

Another favorite place to play was under the long-drooping canopy of the branches of a grapefruit tree. I spent a great deal of time under there, daydreaming. I did that a lot. I guess I still do. I had time and place to allow my imagination free rein, and I’m sure that led to my lifelong preoccupation with writing. I know I’ve used at least that childhood mulberry-picking memory in a book.

As a family, we went on camping trips; a lot of camping and day trips around Arizona. I don’t know who took the photo of our ’53 Plymouth stuffed with family members, but it’s one of the vehicles we used in our travels.

As a consequence of these trips, I got to see a whole bunch of wild country. In fact, I slept in a lot of wild country, on most occasions on beds fashioned from blankets spread atop fragrant pine boughs, not modern air mattresses on a tarp and sleeping bags over all. I’ve been in caves, peered down into mining shafts, and climbed my share of boulders and mountains. In fact, once my dad and I were stalked by a mountain lion. I had a wonderful childhood! (I’ll say!)

Me:  Out of all the teachers you had in elementary, junior high, and high school, who was your most memorable and who was your most favorite (because we all know that one may be different from the other), and why?

Marsha:   In my day we had elementary school and we had high school. I attended several elementary schools as the neighborhood got more families in it and the school district grew and built more facilities. My sixth grade teacher, Miss Glenna Jones, was my favorite teacher. She believed in me. One day she asked us a strange question—maybe not so strange during those cold war times: if schools became unavailable, which of us thought we could get our own education? I immediately raised my hand. I might have been the only one. She looked at me for a long moment, then said, “Yes, I believe you could.”

Tragically, she and her husband were murdered last year. I still can’t wrap my mind around such an act.

My 11th grade English teacher—I’m so chagrinned that I can’t recall his name—made his class memorable. He also believed in me, and he encouraged my writing efforts. One day he told the class I should be teaching the course instead of him. That blew me away!

(Impressive even then!)

Me:  How old were you when you wrote your first article or story that wasn’t a school assignment? If the recollection is clear enough, please provide a quick summary.

Marsha:  I must have been in third or fourth grade when I wrote the beginnings of a novel that featured in the first scene a young boy hiding under a piano behind a rhododendron plant, listening to the conversation of his elders. I have no idea where it would have led. I don’t have it anymore, although I remember I brushed it off and used it in a contest one time. I don’t recall winning anything, so I’m sure it needed more work.

Me:  And finally, of all the stories your father told, which was the most memorable? And how did his storytelling influence your choice of genre when you began writing? (I’ve got to get a picture of your father, preferably in the middle of telling a story, or with you…please.)

Marsha:  My dad was born in the Mexican Mormon colony of Ciudad Dublan (Dublan City), in Chihuahua State. The family came out of Mexico temporarily before the Pancho Villa troubles so my grandfather, a blacksmith, could work on building the Roosevelt Dam. When the work was finished, they returned, but left Mexico a few years later to settle in the Tucson, Arizona, area. The summers in their village of Binghampton were hot, and a favorite time celebrated by all was migrating up to the top of Mount Lemmon for two weeks to escape the heat of mid summer.

One of the pack animals was called Old Dan, and he was particular about what he would carry. He didn’t like noise. When a couple of teenagers wanted to pack a large iron kettle and other cooking pots on him, my grandpa objected, but the teens, like all boys that age, knew so much better, and insisted. My grandpa put up his hands and walked back to a safe observation post. As soon as the horse was ready to lead away, one boy grabbed the rope and gave a tug. Old Dan took one step and heard the pots rattling together. He didn’t want to continue, but the boy on the rope urged him forward. After a couple of steps, Old Dan turned into a cyclone, kicking and bucking until he got that pack off his back. The kettle ended up on the ground with a hoof-sized hole in it.

I never learned if one of those know-it-all boys was my dad, but I suspect it was so. He often told stories where he was the brunt of the joke, or had learned a hard lesson.

I’m not sure, but I suspect this is her grandfather with all his sons, including her father.

Daddy told such vivid stories that I can’t see how I wouldn’t have come to love the land and people and circumstances he described. I always felt like I had been born in the wrong century, because I believed I fit into that life.

And I believe it, too. If you’ve read one of Marsha’s westerns, you’ll know what I mean. She writes with an authenticity that can only come from channeling a voice from the past. If you haven’t read any of her novels yet, now is an excellent time to begin her Owen Family Saga, including her latest, SPINSTER’S FOLLY.

Again, you can buy Marsha’s novels on Smashwords or Amazon. And you can learn more about her from her website, her author blog, her character blog, Facebook, or Twitter.

Originally posted 2012-11-21 06:00:51.

The Thoughts of Barbara Kingsolver

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Back on November 9th I had the pleasure of watching a live interview with my favorite literary novelist, Barbara Kingsolver, on Goodreads. She’s the best-selling, award-winning author of such books as THE BEAN TREES, THE LACUNA, and my personal favorite, THE POISONWOOD BIBLE, and now has a new book out entitled FLIGHT BEHAVIOR.

I thought I’d share some of the highlights (for me, at least). The interview was conducted by Patrick Brown, Goodreads Director of Community, but invited viewers could pose questions of their own. (No, mine didn’t get featured, but then I didn’t expect them to be.)

One viewer asked about how she achieves the knack of getting a message across (as I recall, the questioner termed it as a kind of “progressive, eco-consciousness”) without it coming off like a lecture. Ms. Kingsolver replied, as follows:

The knack is very simple. Respect my reader and respect the complexity of my subject. A novel is far more subtle than marketing or advertising or activism. In fact, I think literature is one of the few places we go to be renewed or enriched without being told what to think. That’s core to me as a writer. I’m not going to tell you what to think. As it happens, because I was trained as a scientist and all my education is in science and not writing, I carry through the world a scientist’s eye and a scientist’s mind and an awareness of biological matters…and an awareness that I’m surrounded all the time by millions of others species. That I’m not the only one. That, to me, seems simply true. To others, it may seem like eco-consciousness or something.

I loved that one sentence I highlighted in bold. That’s how I feel. I dislike books that blare a certain philosophy or attitude, for I want to form my own conclusions. It all comes back to her first response to the question. Good literature respects the reader.

Some other highlights:

  • “It is my responsibility as a writer to make sure my book is as accessible as possible.”
  • “The Poisonwood Bible is a political allegory. This family stands for what the Congo was going through at the time.”
  • “I revise infinitely. I love working on a computer for that reason. A first draft is something that has to be hammered out to make sure I can get from the beginning to the end. After that, I become a trapeze artist…Revision is the thrilling part for me…The first sentence makes a promise the rest of the book will keep. The first paragraph enlarges that promise.”
  • “Sense of place only comes from having been there…If you haven’t been there, you don’t know what the rain smells like…So I always go to the place I’m writing about.”

When asked about the role of the novel in politics, she responded this way, repeating her earlier mantra:

“My job is to respect the reader. I’m not here to tell you what to think or what to do. Literature…can change the way people think or what they do, but it does it through empathy. A novel puts you straight inside another brain. That is, by its nature, a life-changing act. It can be a political act to create empathy for the stranger.”

(This meant a good deal to me personally, for that is something I’ve tried to do in my first two novels. With THE RECKONING, I wanted to create empathy for an Iraqi or a Kurd at a time when Americans certainly regarded both peoples as terrorists, at worst, or suspect, at best. And in A NIGHT ON MOON HILL, I am certainly trying to put the reader into the mind of a person on the Autism spectrum. Having grown up abroad, I know too well what it feels like to be the “stranger,” the “other” in a culture. Literature has the power to break down those barriers between groups of people.)

She was asked whether she ever has a particular kind of reader in mind when she writes. She answered in the negative:

“I write with nobody looking over my shoulder. (Other than the authors of the books on her shelf behind her.) I’m not writing for a particular reader.”

I believe, as more and more LDS authors dare to write that way, LDS fiction will rise in the estimation of an increasingly literate Mormon society.

Some final gems:

  • “I love solitude. I think you have to love your own company to be a writer.“
  • “I’ve always done these two things at once–motherhood and writing…Being a mother anchors me to the future in a way that’s very important. I can’t give up on the future.”

And finally, she was asked, “What’s the first thing you do when you start writing a new book?”

“Clean out all the junk…and move my desk for a different view.”

(Now, that’s a work space I’d love to have a picture of!)

If you have a half-hour, I encourage you to watch the whole interview and then tell me your favorite part:

Watch live streaming video from goodreads at livestream.com

Originally posted 2012-11-16 12:49:46.

“Wednesday Writer” – Marsha Ward and “Spinster’s Folly”

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(Note: Marsha Ward has been writing so long and gave me so much material in my interview that I’ve decided to divide her interview into two parts. This first part will focus more on her newly released book, her writing process, and ANWA.)

Marsha Ward is an award-winning poet, writer and editor whose published work includes four novels in The Owen Family Saga: The Man From Shenandoah, Ride to Raton, Trail of Storms, and Spinster’s Folly. I’ve read and thoroughly enjoyed the first three and am now excited to read the fourth. She’s also written over 900 articles, columns, poems and short stories, given numerous writing workshop presentations, and taught writing.

Here is her description of SPINSTER’S FOLLY:

Marie Owen yearns for a loving husband, but Colorado Territory is long on rough characters and short on fitting suitors, so a future of spinsterhood seems more likely than wedded bliss. Her best friend says cowboy Bill Henry is a likely candidate, but Marie knows her class-conscious father would not allow such a pairing. When she challenges her father to find her a suitable husband before she becomes a spinster, he arranges a match with a neighbor’s son. Then Marie discovers Tom Morgan would be an unloving, abusive mate and his mother holds a grudge against the Owen family. Marie’s mounting despair at the prospect of being trapped in such a dismal marriage drives her into the arms of a sweet-talking predator, landing her in unimaginable dangers.

Me:  Is SPINSTER’S FOLLY the conclusion of the Owen Family Saga, or do you foresee more tales? Which of the four books was the most difficult to write, and why?

Marsha:  No, the Owen Family Saga continues, with a fifth book to write that already has a title: Gone for a Soldier. I’ll go back into the Civil War to recount the experiences of the oldest son, Rulon. I’m in the preliminary research phase, getting the overview firmly in mind. Later, as I write, I’ll do research for the smaller details, as needed.

Each of the novels have had their unique difficulties in the writing , but perhaps RIDE TO RATON was the most difficult because of scenes at the end. The original final scene contained a lot of vengeful action, which had a negative energy that enfolded me for several weeks. I was angry all the time. I was treating my husband and children like dirt. I didn’t like myself one little bit. It took me a while, but finally it dawned on me that the cause of my ill temper was the bad spirit with which I had ended the novel. That brought me up short and taught me a lesson. I learned words have power.

If I, the author, was having such a bad time dealing with the aftermath of the book, how was it going to impact my readers?

I decided I didn’t want to be responsible for someone wreaking havoc upon those around him or her due to my book. I changed the ending, and made the book much stronger, I think, and leached out the bad taste in my mouth.

The novel still contains the haunting events that precipitated the prior vengeful action, but now the reader weeps at the end instead of wanting to kill someone. I’m satisfied with that.

(Interesting . . . that has been my favorite one so far.)

Me:  You’ve had to deal with both loss and health challenges in your life. Which took the greater toll on your writing, and what did you do to overcome it?

Marsha:  When my daughter was killed in an auto accident, it sucked the creativity out of me for a number of years. I was so thoroughly immersed in grief and mother-guilt (how had I not kept this from happening to my child?), that I was quite the zombie. I think I finally dealt with the problem when I was invited to join a particular writers’ group and was encouraged to get on with life. Although it came from outside myself, I’m pretty sure those people saved my sanity. 

(I find it’s true that no one understands a writer quite so well as other writers. A group is essential.)

Me:  Please describe your favorite writing space in the vernacular of my favorite Owen brother, James, the protagonist in RIDE TO RATON. (And I must have a picture of your writing area.)

Marsha:  You really want to see my computer desk? AWK! Oh well. Here’s James to describe it:

“This dear lady, who contemplated upon us Owen brothers for several long years before she gave us life, asked my oldest brother Rulon to call her ‘Mom.’ That don’t set right with me, somehow. It rolls brittle off the tongue. There’s precious little affection in the sound. Kind of hollow. I reckon I’ll call her Abuela. That’s akin to the Southern-style Meemah, or Grandma, but spoke in the Spanish lingo of my first wife, Amparo. She’s…gone now.”

I pat James on the shoulder and step back to wait for him to continue.

“Be that as it may, Abuela has this black piece of furniture sittin’ in a room of her house. It’s not wood, yet it’s not the ‘plastic’ I see about, either. She told me it’s a ‘black laminate wrapped around manufactured wood.’ What the tarnation that means, I cannot fathom. The surface of that there laminate is sort of gritty-lookin’, yet it’s smooth enough to the touch. Cool. Not warm like wood can be. There’s a shelf-like slab that pulls out and holds a sure-enough plastic contraption with letters and numbers and other geegaws that she depresses rapidly to make letters appear on a bright-colored picture frame that sits atop what she calls ‘the desk.’ (Love this!)

“Hush! It don’t look like any desk I ever saw, I tell you. This one don’t have the hidey-holes and whatnots that hide behind the rolltop. Instead, it’s got that picture frame that glows. Yep, I’m not lyin’. It glows with light, just as if it had a lamp behind to shine through a pane of obscure glass. Abuela says it’s called a ‘monitor.’

“The only Monitor I ever heard tell of was the ironclad ship the Yanks sent out to do battle against the C.S.S. Virginia in Hampton Roads in ’62. But that’s another story. I’ve been bid to tell about Abuela’s writin’ area, so I’d best continue that task.

“Abuela tend toward bein’ the untidy sort. I don’t hold it against her. She’s quite a woman. However, the top of her desk is piled with the oddest sorts of things you ever did see. There’s a yellow box sort of thing that has a flap hidin’ an assortment of stiff white cards she writes notes on. Somethin’ she calls passwords. And log-ins.

“I know about passwords from serving in the army during the past troubles. If you didn’t know the proper one for that day, you was like to get shot by the sentry. I can’t make out the meaning of “log-ins.” You could burn up the cards, but they wouldn’t last long enough to give heat nor light like a real log would do. (LOL…yes, our modern vernacular would certainly confuse those who lived 150 years ago.)

“I dassen’t touch the papers and folders she has on one side of that monitor, for fear they’ll tumble off onto the floor. On the other side, she has an assortment of pens made of that plastic stuff, a letter opener, scissors with red handles—red handles! And bent wires designed to hold stacks of paper together for safekeepin’. There’s a little plastic cylinder she calls “eyedrops,” but it’s not made of glass, nor does it have an eye dropper inside of it. She says she squeezes it and the liquid soothes her eyes.

“Abuela has a passel of papers hangin’ off the sides of her picture frame with “tape,” which appears to be a sticky sort of clear plastic that comes from a roll tucked inside another…plastic container. Whew! This world sure does cotton to plastic.

“That’s about all I can say about Abuela’s writin’ spot. I hope that does the job for her friend.”

(It certainly did, and here’s the picture to prove it!)

Me:  Along with your novels, you’ve written hundreds of articles for newspapers. Which is harder, journalism or fiction writing? And why?

Marsha:  Interesting question. I suppose I could say one is harder because it takes the other side of the brain, or some such thing, but I don’t think one or the other is a more difficult task. They are merely different. I think a competent writer can accomplish a job of writing in any genre, given the time and training. I know other writers won’t agree, but I think I’ve done enough of both kinds to consider myself a generalist rather than a specialist. Now deadlines. Don’t let me go there! (I hear you. I hate deadlines . . . of the daily variety, that is.) 

(I do believe listenin’ to James’s account above has me typing a tad bit like he sounds.) :D

Me:  What caused you to create ANWA back in 1986? How has it changed over the years and what do you see in its future?

Marsha:  ANWA, or properly, American Night Writers Association (now Inc.), came about because of my need to feel comfortable among other writers. I wanted a place where I could learn the craft without being exposed to crass language or themes, and where I could be nurtured rather than batting my head against protective sorts who viewed me as competition instead of offering to share what they knew. I tried out several groups, but soon outgrew the pat-you-on-the-back-and-say-it’s-wonderful clubs. I needed to be challenged, and I wasn’t finding a place where I could grow.

When I came across five other LDS (Mormon) women in a short period of time, each of whom had writing aspirations, I wrote down their contact information and went on my way. One day I was impressed that I had at hand what I needed. I only had to get us together. I called the other five and set up a meeting, and that was the beginning of ANWA.

The organization has gone through many phases. Lean times, when it almost died. Thrilling times, when we had a member put together a workshop that was the genesis of our writers conferences and another begin a website. Growth exploded because of that. We started chapters outside of Arizona and changed our original name of Arizona Night Writers to American Night Writers Association.

After many years of shepherding ANWA and doing a ton of work in the background to keep it going, I was tired of being jealous at the success of those I had mentored. I wanted time to write the stories swimming around in my head, and I told God so. He had thrust me into this task, and I wondered if the time would ever come for me to have a chance to see if I was a writer of any substance, or only a writing coach. I know I pleaded with him for a long time, but finally he said the time had come that I could step back. This has not been an easy transition, and it’s still on-going. However, with the help of several very hard-working, inspired leaders and workers, the burden is slowly slipping off my shoulders. It’s a huge relief, and I’m becoming used to the idea that I don’t have to “do it all” anymore. ANWA will continue to grow. It is poised for international growth soon, where it can influence thousands, and hundreds of thousands of LDS women. It can school them that they have a place in this world, where they can share their light with others through the written word. (Amen! And thank you, Marsha.)

Me:  Finally, tell us about your writing process and your current (or next) work in progress. Will you continue to self-publish and, if so, why?

Marsha:  As I mentioned in passing, after I succeed in launching my current novel, SPINSTER’S FOLLY, I’ll begin work in earnest on GONE FOR A SOLDIER. My somewhat ambitious goal is to write and publish a novel a year from now on. Self, or indie publishing can enable me to do that, where I wouldn’t be able to control such a schedule through traditional publishing. I don’t have time to dilly-dally around, waiting for the traditional lengthy publishing process. I can accomplish the necessary steps, and make a better income for myself, by being an independently-published author.

And we wish her the best of luck! You can buy Marsha’s novels, including her latest, SPINSTER’S FOLLY, on Smashwords or Amazon. And you can learn more about her from her website, her author blog, her character blog, Facebook, or Twitter.

AND…

You can check in again next Wednesday and learn even more about Martha, including details about her childhood and peeks at several old family photos. Here’s a teaser–a very young Marsha:

Originally posted 2012-11-14 06:00:12.

Jason Gets Scheduled

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Each week, I grow more and more suspicious that this Pathway Program was designed with someone like my son in mind.

First, they had a lesson that basically talked him into attending college for real. Then they had a lesson that made him focus on his future and what he might want to be. Next came a lesson about general and particular goals in certain areas of life–intellectual, physical, spiritual, etc.–in the immediate future (he chose the physical…but I’ll post more about that next time).

And this week, he had to make a daily schedule.

What an eye-opener (to him, anyway). His father and I were already well aware of how he spent most days.

First, he had to track how he spent his time over 24 hours. Just the idea of it made him uncomfortable, and it’s obvious why when you examine the results:

(Just click on the image for a closer look)

In case you’re having a hard time reading the fine print, the result showed that he essentially spent a third to half his day on the computer. He calls it “researching” but he’s basically surfing the web and reading about all his favorite topics on Wikipedia or checking Facebook, Mugglenet, and the like.

Then they had the gall to ask him what he learned about himself from this exercise. As he put it to me (but not on the question sheet…there he was a bit more diplomatic), “I learned I’m a lazy slob!”

He’s exaggerating, of course, but the lesson did get through that it was time to reorganize his priorities. And that’s just what he was required to do next. Make a list of his priorities and things he needed and wanted to do. Then he had to make up a new kind of schedule.

Here’s what he came up with (after a bit of nudging from me):

(Again, click for a closer peek)

What an improvement in his use of time! I think it helped that the week before we’d already gotten him (and me) going on an exercise routine, but the addition of the commitment to spend actual daily hours in the local library, not to mention time reading rather than glued to a computer monitor, really made a difference.

As I reminded him, he can’t hope to be able to hold down a full-time job schedule until he’s able to maintain a personal schedule of his own. So on Monday we begin the new schedule. I’m so proud of the strides he’s making!

And my suspicions that the designer of the Pathway Program must have an ASD child of his own only continue to grow.

Originally posted 2012-11-09 13:09:07.

“Wednesday Writer” – J. Lloyd Morgan

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First of all, the J. stands for Jason (one of my favorite names… :D). Apparently another writer by that name started publishing first, so today’s featured author had to scramble for an original pen name. While he writes novels and is best known for his series that began with THE HIDDEN SUN, Jason has also written memoir and short stories. In fact, his story “The Doughnut” was one of the top five winners in the Parables for Today contest. But more about his short stories later.

Me:  First of all, how did you and your family weather Super Storm Sandy there in North Carolina? Anything in particular that you did to prepare? And did it live up to its billing?

Jason:  I posted this on Facebook on Monday, October 29th: “The storm to end all storms has moved beyond North Carolina–but not before I was frightened to death by the media outlets. Upon further reflection, I may have resorted to cannibalism too soon.”

To be fair, we were on the far edge of the storm–very little rain and some mild gusts of wind. We’ve had much worse storms that never got the national attention this storm received.

(Well, we’re glad you don’t live in New York or New Jersey…and Jason and I are both very sorry for those who got the worst of Sandy.)

Me:  You’ve said you’re dyslexic. How old were you when you were diagnosed and how did it impact your experience with reading as a youth? (Also, I’d love a picture of you at the age you were diagnosed.)

Jason:  Back in the day, dyslexia wasn’t really understood as it is now. There are different aspects of it–the common thread is how the brain processes information. In kindergarten, I failed “knows the difference between left and right.” Later, I did poorly in spelling. When I read and write, I add or leave out extra words that my mind sees as being (or not being) there. When I was in high school, we learned about dyslexia and it was like a revelation. After taking some tests, it was verified that I have a form of it.

Growing up, I felt stupid because other kids were able to spell words without really trying. I just couldn’t get it. It takes lots of practice and, frankly, spell check has allowed me to become a writer. (Let’s hear it for spell check!) Alas, I don’t have a picture of me at that age. (Oh, well. Disappointment happens.)

Me:  I see you were a BYU Communications major like me. Given the fact that you ended up on the broadcasting side before taking on novel writing, I’d like to hear how your experience in television has helped prepare you for your career as an author.

Jason:  While directing in the NYC area, I was able to meet a boatload of diverse people: politicians, entertainers, reporters and anchors, engineers, technicians–and many more. I’ve drawn on those experiences for characters in my books. (Hmm…I wonder which character was inspired by Dan Rather?)

Directing live TV taught me the importance of pacing. It’s another skill that has transferred from TV to writing. In addition, we had a saying: “5 o’clock comes at the same time every day.” Either you’re ready for the broadcast or not. It taught me to set deadlines and stick to them.

Me:  The first two books in your series, The Bariwon Chronicles, are already out–THE HIDDEN SUN and THE WAXING MOON–with the next story, THE ZEALOUS STAR, due in 2013. What is the premise of the series, the thing that ties all the books together?

Jason:  I wanted to create character driven stories where they couldn’t solve their problems using magic or modern technology. The books share a common, fictional setting during a fictional time, and are written to be stand-alone books tied together with overall plot points and moral themes.

They are told from multiple points of view, though with only one point of view at a time. Readers tell me they enjoy the twists and turns–and some have written me fairly strong letters about how upset they got with the main villain or the bad things that happen to the characters. (A true sign of success.) All was forgiven in the end, however.

Me:  Why fantasy? Who are some of your favorite fantasy authors and why?

Jason:  I smile when I’m asked this question. I, personally, don’t believe my books (aside from THE MIRROR OF THE SOUL) are fantasy. (Oops. My mistake.) Magic isn’t used and there are no non-human creatures in the books. They aren’t historical fiction, either, because they take place in a fictional land during a fictional time. The Bariwon Chronicles are really medieval fiction–how’s that for a sub-genre for you?

Authors that I read in the past that influenced me are Orson Scott Card, Grey Keyes and Gerald N. Lund. For current fantasy writers, I’ve really enjoyed the works of Kelly Nelson, Berin Stephens and Michael Young. (Hmm…more writers to tap for future interviews. :D)

Me:  You’re also working on a realistic novel based on an experience you had while on your LDS mission in Mexico. (And I’d love a picture of you taken while on your mission.) How is that coming along and what is the basic theme? Any other realistic novels in the works?

Jason:  WALL OF FAITH is completed and is in the rejection, er, submission phase. Here is the challenge: LDS publishers don’t want to touch it because it openly discusses real issues missionaries have on their missions. It doesn’t sugarcoat it. At the same time, it has a positive message and it’s not controversial enough for non-LDS publishers. I had one of my LDS beta readers tell me, “Thank goodness I didn’t read this before I sent my son on his mission. I just want to get a letter each week with him telling me everything is perfect and he’s having the best two years of his life.” For that reason alone, it needs to be published. (I agree, even though I currently have a daughter on a mission.)

Elder Morgan holding up a sign in Mexico

My current work-in-progress is realistic fiction. (More about that in a second.)

Me:  Tell us about your writing process and your current work in progress. (See?)

Jason:  Every story I write always starts with a “what if?” question. I get a general idea for the characters, setting and their final destination and then, I make it up as I go. I believe in the power of inspiration and discovery while I’m writing. Most of the best scenes I’ve written were spontaneous.

I plow through the first draft until the end. Then I let it sit while I work on another project. When I return to it, I rewrite it, often making drastic changes. The end result is usually quite different from the first draft.

My current work in progress is about a young man who moves from North Carolina to Utah right before his senior year in high school. He attends the same school where his mom and dad met–which brings with it certain pressures and baggage. I’ve set it in the late 1980’s (for a very specific plot reason) and so I’m having fun going retro with a lot of the elements in the book.

(I should have asked for a photo of Jason from the 80’s.)

Me:  Let’s say you’ve got a week with no access to pen, paper, or computer device. What would you spend your time doing and why?

Jason:  Well, I can interpret that question a few ways. I’m going to go with the idea that I’m not able to write for that week. I’d spend as much time as possible reading. I’ve found by reading different authors and genres, I improve as a writer. (Darn it. I should have cut off access to books and e-reader devices, as well. I’m just curious about what different writers do when they can’t read or writer.)

Me:  Please describe your writing space, particularly anything unique about it, and provide a picture.

Jason:  My wife and I share an office in our office. (That would never work for me. My husband loves company…and not in a quiet way.) I write using a wireless keyboard on my lap–don’t know why. On the wall above my computer monitor are copies of my books and awards I’ve won. They act as a reminder that I can do it, even if I’m struggling at the moment.

See all the awards? He CAN do it!

Me:  Finally, I’m curious about the book you’ve written based on the songs of Chris de Burgh–THE MIRROR OF THE SOUL–due out early next year. How did this project come about and what is the premise of the story?

Jason:  Chris de Burgh, known in the USA for “The Lady in Red” and “Don’t Pay the Ferryman,” has always been one of my favorite musicians. When the music scene changed in the 1990s his popularity in the States faded, but he still does very well all around the world.

Chris de Burgh with his guitar

In 2006, he released a LP called “The Storyman.” On it is a song called “The Mirror of the Soul.” It’s a nine minute epic, telling of a large diamond that lands in France just after the Hundred Years War. The person who finds it discovers it glows when he touches it. He brings it to a local, corrupt Abbot, who takes the diamond because he believes with it he can gain power and money.

It’s really a metaphor about how people in our day use whatever they can to get gain and the results of doing so.

When I heard this song, I thought, Wow, this would make a great book. I got bold and contacted Chris de Burgh’s management. It took some (okay, a lot of) persistence, but I got a response. They liked the idea and asked for an outline to share with Chris.

In order to flush out the song to a full novel, I incorporated many of Chris’s other songs into the book, weaving their tales with the main story. Chris loved it and gave his permission and blessing. (Lucky!!!) I’m very excited for its release.

Thank you for the interview! I enjoyed it!

Likewise. And I’m also excited to read THE MIRROR OF THE SOUL…along with your upcoming anthology of short stories, THE NIGHT THE PORT-A-POTTY BURNED DOWN (due out in December).

For more information about Jason, his family, and his projects, check out his website.

And next week, I’ll be interviewing Marsha Ward, whose fourth volume in the Owen Family Saga–SPINSTER’S FOLLY–just came out.

Originally posted 2012-11-07 06:00:57.

“Wednesday Writer” – Sarah M. Eden

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Happy Halloween! While all of you are out either preparing for trick-or-treaters or getting your costumes finalized to go do it yourself, I am happily tucked away at the Rosario Marine Beach Lab for a wonderful 3-day Writer’s Retreat (the ANWA Northwest Writer’s Retreat). If you’re LDS, a woman, and you like to write, check out this retreat for next year.

In the meantime, it’s that day of the week again and I have another terrific writer to unpeel before your very eyes (not that I’m comparing her to an onion, mind you, but all writers have layers, I’ve found . . . Let’s consider her a sweet onion of the variety grown nearby in Walla Walla, Washington). :D

I first met Sarah M. Eden when we both took part in a self publishing panel discussion at the LDStorymakers Writers Conference back in 2009. As it turned out, she and I were Whitney finalists that year, along with another member of the panel–Joyce DiPastena. Since then, she’s gone on to be traditionally published, has an agent, and has become a must-have emcee at that very same writer’s conference. Oh, and by the way, she joined us up here near Deception Pass as our Writer in Residence for last year’s retreat!

Now let’s start pulling back the layers.

Me:  How old were you when you first realized the power of humor, and please describe the circumstances of that discovery? (And I’d love a picture of you at that age.)

Sarah:  I can’t remember a time when humor wasn’t a defining character trait of mine. It probably began in the womb–no, I don’t have a photo of that. (What? No ultrasound? Drat!)

My entire family is funny. Family dinners involved as much laughter as eating. The time an entire cooler of ice water spilled in the back of the minivan, the Noah’s Flood jokes went on for hours. Weeks. Okay, we actually still joke about it. My sister and I once spent an entire afternoon acting out a parody of the first two Twilight movies for our sister-in-law, complete with props and costumes, simply because it would be funny. (And you didn’t videotape it for YouTube? Have you thought about reprising it for a conference? Hint, hint.) My youngest brother was once attacked by a dog, leading to stitches and the services of a plastic surgeon. We responded in the usual way . . . a care package of doggy chew toys, kibble, and a greeting card that played “Who Let the Dogs Out.”

That’s just how we roll.

(Something tells me it’s genetic, too. Her daughter’s going to be just like her.)

Me:  Not counting “The Sun,” which you wrote at age 5 (and it sounds like it may have been one of those Kindergarten school assignments), what was the gist of the very first story you ever wrote (“The Mystery of the Broken Unicorn”), and do you still have it? Any plans to rewrite it?

Sarah:  Do I still have it? Do you doubt I would hold on to such a piece of literary mastery?! Of course I still have it. One might classify this magnificent story as a Middle Grade Fantasy. One might also classify it as horrible. One would be right on both counts. (Notice the voice change here? She’s definitely in her Regency voice.)

I begin the book by making note of the fact that the “pictures & words” are by me. That’s how you know you’re about to get quality. The story tells of a young girl whose mother has a glass unicorn on her dresser that the girl should “NEVER touch, no matter what.” So the girl, of course, touches it, and it puts a spell on her. That is the point where I wrote The End. No, really. That’s where I ended it. I didn’t know what to do next so I figured just calling it quits was the best option. (A very quick read…but a promising beginning.)

Isn’t she darling in her first dance costume?

Me:  Okay, why did you choose Social Science Research as a major when it’s apparent your true loves are literature and history? In other words, who convinced you to be practical?

Sarah:  I chose Social Science Research because it was fascinating. My emphasis was the impact of mass communication on societies, with focus on the role of emerging social media. My thesis, get this, hypothesized that emerging social media (this was in 2000) would be used to create virtual communities. *insert evil genius laugh here* Essentially, I predicted Facebook and Twitter. Someone owes me big bucks! (Well, when you put it that way…as Rosanne Rosanna Danna would say, “Never mind.”)

I still find research, be it historical, social, statistical, etc., endlessly enthralling. I love when pieces fall into place and a mystery begins to make sense. I get all giddy when I learn something new, especially something obscure. *insert evil genius laugh here*

Short answer: I’m an evil genius.

(And the Princess of Prescience!)

Me:  What was the basic plot of the short story for which you won 1st prize in the 2007 City of Glendale Short Story Competition? Any chance you’ll lengthen any of your short stories into novels?

Sarah:  Actually, I absolutely love that short story. I think it is one of the best things I’ve ever written. I have pondered many times expanding it into a full-length book, but the timing just hasn’t been right. Maybe some day. *sighs dramatically*

The story is about a 3rd Grader with a gambling addiction. No, it’s not an after-school-special type of moralizing book. It’s actually hilarious. And the main character is fantastic. (If I do say so myself.) (Hmmm…have we accidentally uncovered a layer from the author’s own past?)

Me:  After having seen both you and your husband “act” in “film,” I have to assume you both have experience in theater. Am I correct? If so, please provide details (and pictures).

Sarah:  We have both spent quite a lot of time on the stage. I began my “career” playing a dead plant in a church roadshow, followed by an unemployed elf in the 6th grade Christmas play.

The red hair is a giveaway.

Junior High School saw me placed in the oh-so-glamorous position of pretty much everybody’s understudy. By High School, I had moved up in the world, playing a 5-year-old boy (Tiny Tim, A Christmas Carol), a 7-year-old girl (Marta Von Trapp, The Sound of Music), and eventually graduating to a teenager in Hello, Dolly! and Fiddler on the Roof. I found myself typecast as Hermia in A Midsummer’s Night Dream (for those of you keeping track at home, she’s the character who spends the entire play as the butt of everyone’s short jokes).

My husband did a lot of acting in High School, as well. He was in Taming of the Shrew and Cheaper By the Dozen, among others. He was dreamy Tony in West Side Story and played Sherlock Holmes in a community theater production.

Dreamy Tony in another woman’s arms

He has the look of a lead and the skills to get the job done. I was always a sidekick. A short sidekick. Or a child. But I’m not bitter. (Much.)

(Yeah, but who’s getting all the attention now? Am I right? Good things come to those who wait, no matter their size. :D)

Me:  Do you really have, as you put it in an interview with Donna Hatch, “a contraption made up of very large books, packing tape and the back of the sofa in my living room which allows me to type while spending some quality time with my elliptical machine while burning calories to which I’d rather not become too permanently attached”? (You said then that you’d rather not provide a picture, but I DO require a picture of your true writing space…as well as a description of it in either Regency terminology or in the voice of one of your children…please.)

Sarah:  The contraption changed a little last year when we replaced our couch. Fortunately, when you MacGyver a write-while-exercising-stand, it tends to be adaptable. The current incarnation involves a packing box, a wooden cutting board and a book of Broadway ballads arranged for the piano. Here is the catalog entry I am preparing for when I sell it and make my millions:

Do you have Writer’s Butt? Is your backside expanding with every rewrite? Does drafting your newest book get in the way of burning those extra pounds?

Introducing the ‘Tend to Your Deadline and Your Waistline’ computer stand. Finally, a contraption that meets the lazy writer’s needs. Exercise while you type and look good doing it!

(So where’s the picture?)

What? You want a picture? Sorry. I don’t give out that kind of classified information–not until the patent is secured.

(Okay, what happened to the description in the voice of a Regency romance…or one of your children? Hmmm…I guess this is one writer’s lair that will remain secret in every sense…except…she let slip a clue on Facebook, so I think it’s only fair to share. Here’s a look at her plotting board.)

Aha! Part of her secret office.

(If you want the details behind the colorful board, you’ll have to check out her posting on her website here.)

Me:  You’ve also said that “writing requires a certain degree of mental instability.” How so? (And I mean this in all seriousness, as I’m most curious about the writer’s mind.)

Sarah:  Most people consider hearing voices in their head a reason to be concerned. Writers think of it as a running narrative for the scene they are writing.

A normal person would never think a fictional character of their own creation could argue with them, defy their orders, or make their own decisions. Writers embrace this without batting an eyelash.

Most people, if they wake up in the middle of the night with a random idea running through their mind, grumble a bit, roll over, and go back to sleep. Writers rush to write it down, unspeakable grateful to have finally worked through that sticky plot problem.

We pour our hearts and souls into a book we then willingly send out to the slaughter. We get rejected, criticized, ranked, Goodreaded (yes, that is now a verb) (In the same way as Amazoned?) and in many other ways alternately praised and excoriated, yet we keep going back for more rides on the pendulum of public opinion.

We are often insomniacs. We cry when we do horrible things to our characters even though we knew it was coming all along. We compare ourselves to Shakespeares and Miltons and then wonder why we never feel good enough. We can obsess over a single word for hours.

All of this and we love it anyway. This cannot be normal or entirely healthy. Mental Instability.

(Case closed.)

Me:  Which parent had the most influence on you as a writer, and how? (It would be nice to show a picture of the influential parent here.)

Sarah:  They both have influenced me. I couldn’t say one did more than the other. For the sake of answering the question, I’ll say that my mother is the one who first convinced me to seriously pursue writing.

Two influential parents. One cute couple!

I was sitting at her kitchen table bellyaching about how hard it was to find a sweet (think PG content) historical romance. I waxed long and irritated, likely using a great deal too much hyperbole. There may or may not have been references to the ridiculousness of so few sweet historicals on the shelf in light of all NASA’s accomplishments. My dear mother, rather than commiserate and accept my tendency toward dramatics, said, essentially, “So why don’t you write one yourself?”

So I did. And I gave her a spiral-bound copy of that first book for Mother’s Day the next year. The book? THE KISS OF A STRANGER.

Me:  Which is more fun–research or writing? And why?

Sarah:  It’s a toss-up. For me, the two are so intertwined I can’t entirely separate them. The historical context of my books is always a huge part of plot, character, etc. So the research determines what I write, and what I write directs my research. (Sort of like the chicken and the egg, eh?)

I set aside one day each week that is entirely for research . . . no writing (unless I’m on a deadline and don’t have a choice). Some of that is research for a specific project. Some of it is just me devouring history and learning new things. I have found so many ideas for new books, or ways to enrich stories I’ve already thought of, through a steady, consistent approach to research. (Thanks for the tip! I may just be revising my weekly schedule.)

Writing makes me a happy person. Truly. I get so excited when a storyline comes together, when the characters become real right before my very eyes. I put a lot of prep work into my books and there is something extremely satisfying in seeing weeks, sometimes months of planning turn into a story I can be proud of.

Also, I don’t like edits. I like having edited, because the book is always better. But I don’t like doing it. *bleh*

Me:  Finally, what are you working on now, and how far down is your supply of Cheetos?

Sarah:  Cheetos and I had to go our separate ways a couple years ago. Apparently, my stomach and Cheetos have a great animosity for each other. Hatred, pure and simple. I have not yet found an adequate replacement. In fact, I feel a little lonely now when I write. *wipes tear*

(By the way, am I the only one that’s noticed how attuned Sarah is to stage direction, sound effects, etc.? Something tells me she ought to give screenwriting a try.)

Right now I am working on the sequel to a romance novel my agent (Hi, Pam!) is currently shopping. It, along with Book 1, takes place in 1870 in Wyoming Territory amongst a group of Irish Immigrants sharing a valley with a group of settlers who absolutely despises the Irish. Against the backdrop of this percolating feud, our heroine finds her heart being pulled by two very different men, all while trying to sort out a lifetime of her own pain and regrets. In the words of my 9-year-old daughter, “This book is magically delicious.”

I am sure we’ll all agree once we finally get to read it. In the meantime, enjoy any of her others (SEEKING PERSEPHONE, COURTING MISS LANCASTER, FRIENDS AND FOES), including her latest: AN UNLIKELY MATCH.

And you can check out Sarah’s website here. I highly recommend her blog for reading that always entertains as well as informs.

Next week:  J. Lloyd Morgan

Originally posted 2012-10-31 06:00:04.